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Perfect diction? Dynamic voice? Not needed.

 
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Bruce
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Joined: 06 Jun 2005
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Location: Portland, OR

PostPosted: Wed Apr 02, 2014 10:18 am    Post subject: Perfect diction? Dynamic voice? Not needed. Reply with quote

Another fine example of where less is more, where subtle interpretation will make for a great performance. I'm thinking of the recent ad campaign from the Oregon Department of Tourism. Here's the signature spot from the series:

http://www.youtube.com/watch?v=g9vrNRAqEkU&list=PLd7Qf9ipRYq4428WmyBjTBjX8ESW7pJ0h&feature=share

Don't know who the voice is, but I'm listening carefully to learn.

B
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DGates
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Joined: 01 Mar 2014
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PostPosted: Wed Apr 02, 2014 9:36 pm    Post subject: Reply with quote

Very well produced. Makes me want to go to Oregon.
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samowry
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Joined: 11 Nov 2006
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PostPosted: Wed Apr 02, 2014 9:38 pm    Post subject: Reply with quote

Sounds like you'll need some dental work to match that read.
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DGates
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Joined: 01 Mar 2014
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PostPosted: Thu Apr 03, 2014 12:15 am    Post subject: Reply with quote

samowry wrote:
Sounds like you'll need some dental work to match that read.


Yep, bit a of lisp.
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heyguido
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Joined: 31 Aug 2011
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Location: RDU, the Geek Capitol of the South

PostPosted: Thu Apr 03, 2014 1:06 am    Post subject: Reply with quote

Jed Alger, freelance writer and former creative director @ Wieden & Kennedy in Portland, where the campaign was created. Writes some pretty good copy.... Starbucks, Nike, Coke, and plenty of others.

His interpretation more than makes up for any other aspect of his performance.

A fine read. Captured it.
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Don Brookshire
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DeadDillo
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Joined: 23 Mar 2014
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Location: Austin, Texas

PostPosted: Thu Apr 03, 2014 4:38 am    Post subject: Reply with quote

This is one of those spots where the quality of the copy makes up for the quality of the voice.

Im really surprised that the client accepted this. I couldnt get past the loose denture sound for the first few seconds. Then the copy pulled me in.

Very strong stuff.
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Mike Harrison
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PostPosted: Thu Apr 03, 2014 9:43 am    Post subject: Reply with quote

Great stuff. Now knowing what Don added, Mr. Alger is very much along the lines of the late, great Hal Riney (minus the denture effect, which does go to making this about as "real person" as we can get).

Thanks, Bruce!
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Mike
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graemespicer
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Joined: 25 Feb 2012
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Location: Toronto

PostPosted: Fri Apr 04, 2014 1:51 pm    Post subject: Reply with quote

The Oregon spot reminds me a lot of the Pure Michigan campaign (Tim Allen) or the Canadian spots for Newfoundland and Labrador voiced by my friend (and literally next door neighbor) David Wallen. Have a listen.

http://m.youtube.com/watch?v=44wMG9b2_JY

Which makes me ask - do you need to have a lisp to sound authentic? I don't think so, and I found it distracting.
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DGates
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Joined: 01 Mar 2014
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PostPosted: Fri Apr 04, 2014 5:13 pm    Post subject: Reply with quote

Just great, Graeme. Now I've got that song stuck in my head.

---Diary diary uppity diary, diary diary uppity diary---
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ballenberg
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Joined: 10 Nov 2004
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PostPosted: Mon Apr 07, 2014 9:31 am    Post subject: Reply with quote

Yup, it's a nice read--and based on something else I've heard, I suspect that isn't a lisp, but an artifact of an overly aggressive de-essing treatment
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heyguido
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Joined: 31 Aug 2011
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PostPosted: Mon Apr 07, 2014 10:47 am    Post subject: Reply with quote

And Bill gets today's attaboy. Good ear. Wink
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Don Brookshire
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Quicksilver
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PostPosted: Mon Apr 07, 2014 8:04 pm    Post subject: Reply with quote

To me, it sounds like him and not the processing, but I don't have the kind of ears to make that judgement.

Just goes to show, producers often want a person that is genuinely passionate about the copy and sounds like a distinct individual.

If he does have a lisp he's one smart (and brave) cookie to pursue voice work. I'm sure that holds him back from some copy but it works amazingly well on stuff like this. Brilliant and I'd bet controversial pick by the producer, a total original voice and spot.

Reminds me a little of those new Turbo Tax ads with John C. Riley, in that the VO is the opposite of who you think they would pick for a pitch man. Riley sounds like kind of a moron, he's known for it in every movie he's in. But it got noticed and I'm seeing him in specs consistently now. Not comparing a lisp to being slow but they are both things that most would think would disqualify you from ad work and it worked beautifully in these cases.

Be yourself and stick with it and you will find your niche eventually, I suppose.

Thanks Bruce.
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heyguido
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Joined: 31 Aug 2011
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Location: RDU, the Geek Capitol of the South

PostPosted: Mon Apr 07, 2014 9:23 pm    Post subject: Reply with quote

Just so there's no confusion.... Jed's not a VO.

He's a writer and creative director. Over the years, he's written some iconic campaigns. Remember EA Sports "Get in the game"? HP's" Let's do amazing"? Levi's "Go forth"? Nike's" This is not a running shoe"? Plus Starbucks, Coke, Ivory soap, Miller High Life, and countless others. Tarantino hired him to work on Inglorious Bastards. The guy's a writer. To my knowledge, this is only the second time his voice has ever been used on a campaign.

My guess is he read the copy as a scratch track, while pitching the campaign....

And it stuck.
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Don Brookshire
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