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richvoice Been Here Awhile

Joined: 12 Aug 2008 Posts: 217 Location: Tucson, AZ
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Posted: Thu Oct 29, 2015 9:16 pm Post subject: Additional studio fee |
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So I booked a gig at a local studio for an industrial narration. It took place last Wednesday - the gig went great, they were perfectly happy with my work (they being the studio guy in charge and the engineer, the client wasn't there) - then I left on Thursday for a week, and just got back tonight. While I was in the air today, I got a message from the manager at the studio, so I called her at my layover; she wants me to come in tomorrow to re-record a few lines.
We didn't talk fees. I'm sure that for union work, there's an additional session fee, but this isn't union work; I don't want to piss off the client or the studio by demanding anything, but I also don't want to set a bad precedent ("Yeah, he's already been in three times, but I really need this line re-done, just call him in, it's not like it'll cost us anything").
The original job was a few hundred. If this was in my home studio after direct communication with the client, I probably would have specified that my fee includes up to two line re-takes after the fact. But I'm invoicing the studio, and re-takes were never discussed (live and learn). So... what's typical in this situation? If ANYthing is typical, I know it's non-union, Wild West, etc. But surely this happens occasionally.
Thanks,
Rich _________________ Cheers,
Rich
http://www.richvoiceproductions.com
@RichMillerVO |
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Philip Banks Je Ne Sais Quoi

Joined: 20 Jun 2005 Posts: 11074 Location: Portgordon, Scotland
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Posted: Thu Oct 29, 2015 9:36 pm Post subject: |
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You did nothing wrong. They called you. Another "minimum session fee" is appropriate or expenses at the very least.
Imagine you are on your way to the studio and a paying client calls you with an urgent job, must be done now, few hundred dollars. Do you call ahead and cancel the free job?
If a client asks us to do something, we get paid. That is what we do.
"What drink would you like with your meal" asks Ronald McDonald
"Nothing today but as it's free I'll come back tomorrow and have a large Diet Coke."
Worth a try? |
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Kristin Lennox Flight Attendant

Joined: 30 Apr 2011 Posts: 858
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Posted: Thu Oct 29, 2015 9:43 pm Post subject: |
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The studio hired you, yes? Do you suppose they're not charging their hourly studio fee for this re-take session?
Of course they are.  _________________ Always look on the bright side of life.
Dee doo. Dee doot doot doo dee doo.
my website |
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Lee Gordon A Zillion

Joined: 25 Jul 2008 Posts: 6864 Location: West Hartford, CT
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Posted: Fri Oct 30, 2015 12:43 am Post subject: |
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In the past, I have dealt with similar situations and if the request is coming from a studio or agency with whom I have had a long-standing relationship (i.e was instrumental in helping me establish my career and/or has consistently given me business), I'll ask if it is something that's billable to a client or if they would have to eat the additional fee. Usually, it's billable, so no problem. But if my fee were coming out of the pocket of my "friend," I might offer to waive the extra fee and rationalize it as a PR expense.
Of course, if they expect you to take time out of your day, make a special trip to their location, and possibly deal with parking or other of life's inconveniences, it would certainly be reasonable for them to expect to have to compensate you. _________________ Lee Gordon, O.A.V.
Voice President of the United States
www.leegordonproductions.com
Twitter: @LeeGordonVoice
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bransom DC

Joined: 06 Nov 2008 Posts: 650 Location: St. Louis, MO
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Posted: Fri Oct 30, 2015 6:25 am Post subject: |
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I do pretty much what Lee does: if it's a studio that I work with often, and like, and I'm coming back in because of something they messed up (ie. non-billable), I'll do it for nothing. Otherwise, depending on how generous I feel, I may only charge them the second/subsequent hourly fee rather than the higher first hour/minimum fee. _________________ Bob Ransom
"I really need a pithy quote here." |
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Bish 3.5 kHz

Joined: 22 Nov 2009 Posts: 3738 Location: Lost in the cultural wasteland of Long Island
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Posted: Fri Oct 30, 2015 6:54 am Post subject: |
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You did a job of work in a supervised session at a third-party location. The manager and the engineer released you from the session with direct technical approval and implied artistic approval (by proxy) from the client. Was the client too important or busy to patch into the session?
Obviously, on-going business relationships are always a factor, but you are not the yo-yo here... it's bad enough when this happens on ISDN sessions from home... but to make a specific journey back to the studio free of charge because of their screw-up or lack of approval process is not a freebie! I mean... that involves getting dressed and having a shower. In and of themselves, they are chargeable items!
My standard line to clients:
Fixing my screw-ups are free. Fixing yours are chargeable. _________________ Bish a.k.a. Bish
Smoke me a kipper... I'll be back for breakfast.
I will not feed the trolls... I will not feed the trolls... I will not feed the trolls... I will not feed the trolls. |
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todd ellis A Zillion

Joined: 02 Jan 2007 Posts: 10528 Location: little egypt
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Posted: Fri Oct 30, 2015 7:09 am Post subject: |
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Quote: | Fixing my screw-ups are free. Fixing yours are chargeable. |
yes. that. _________________ "i know philip banks": todd ellis
who's/on/1st?
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Jason Huggins The Gates of Troy

Joined: 12 Aug 2011 Posts: 1846 Location: In the souls of a million jeans
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Posted: Fri Oct 30, 2015 7:49 am Post subject: |
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I once had a client come back with, "So you can screw up but we can't?" I supplied this analogy.
I have always likened it to a painter. If you hire a painter to paint your house, tell him the specific colors and agree on a price but then, a couple days after he satisfactorily completes the painting, decide that you would prefer a darker trim color, do you expect the painter to come out and repaint for free? If you DO, then you don't understand how professional business works and you need to hire your buddy to do the painting...not a professional. |
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richvoice Been Here Awhile

Joined: 12 Aug 2008 Posts: 217 Location: Tucson, AZ
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Posted: Fri Oct 30, 2015 8:10 am Post subject: |
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Thanks all, great advice and viewpoints. Jason, I love the painter analogy; I was thinking of it in those terms yesterday as well, and your analogy describes what I was thinking perfectly.
Kristin, you make a great point, and it was the studio that hired me. However, here in podunk Tucson, I could actually see them not charging the client for this re-take. Of course, I have no way of knowing for sure, and most likely they are. But business has much more of a... Mayberry feel than it did when I was back in the Bay Area.
In any case, all of your great input really validates what I was thinking yesterday: an additional fee. I'll probably start with half the original, and negotiate from there. I'm willing to negotiate it away to avoid burning any bridges, and I can chalk it up to experience (iron out the details up front!); it will also have the benefit of educating the client and studio going forward. But that's a possible endpoint, not the right starting point.
Thanks again! _________________ Cheers,
Rich
http://www.richvoiceproductions.com
@RichMillerVO |
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Bish 3.5 kHz

Joined: 22 Nov 2009 Posts: 3738 Location: Lost in the cultural wasteland of Long Island
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Posted: Fri Oct 30, 2015 8:16 am Post subject: |
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Jason Huggins wrote: | I once had a client come back with, "So you can screw up but we can't?" | Exactly
When I screw up, I pay the price (my time to fix it)... if the client screws up, then they pay the price (my time to fix it).
Mistakes happen. Client's sometimes rewrite once they hear it spoken out loud. Sometimes the legal department insists on changes after the recording. To me, the beauty of a directed session (whether on-line or in-person) is that you get all the feedback on the performance, cadence is adjusted, misreads are spotted (and yes, misreads do happen!) and there's a sign-off at the end of the session.
You should be able to walk away with a self-satisfied "My work here is done." _________________ Bish a.k.a. Bish
Smoke me a kipper... I'll be back for breakfast.
I will not feed the trolls... I will not feed the trolls... I will not feed the trolls... I will not feed the trolls. |
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Lee Gordon A Zillion

Joined: 25 Jul 2008 Posts: 6864 Location: West Hartford, CT
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Posted: Fri Oct 30, 2015 9:12 am Post subject: |
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Jason Huggins wrote: | I once had a client come back with, "So you can screw up but we can't?" |
There is another side to this that we voiceoverists often don't think about. Yes, if I make a mistake, I will fix it for free, but what about the extra work or time my mistake has cost the producer or client?
richvoice wrote: | Of course, I have no way of knowing for sure, |
You can always ask. (Depending upon the nature of your relationship with the studio.) _________________ Lee Gordon, O.A.V.
Voice President of the United States
www.leegordonproductions.com
Twitter: @LeeGordonVoice
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Karyn OBryant Cinquecento

Joined: 23 Jul 2013 Posts: 561 Location: Portlandia-adjacent
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Posted: Fri Oct 30, 2015 10:18 am Post subject: |
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Bish wrote: | When I screw up, I pay the price (my time to fix it)... if the client screws up, then they pay the price (my time to fix it). |
This.
The price is the same. _________________ * * * * * * * * * *
Pretending to be other people since 1986.
www.karynobryant.com |
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ConnieTerwilliger Triple G

Joined: 07 Dec 2004 Posts: 3381 Location: San Diego - serving the world
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Posted: Sat Oct 31, 2015 2:07 pm Post subject: |
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Lee said...
Quote: | There is another side to this that we voiceoverists often don't think about. Yes, if I make a mistake, I will fix it for free, but what about the extra work or time my mistake has cost the producer or client? |
I don't think anyone really expects something to be absolutely perfect the first time through - especially for self-directed work. They are genuinely surprised and happy when it is - resulting in those little "You ROCK!" notes.
But, you need to talk about it before the job starts. especially with long form, self-directed work. Think about audiobooks, someone really has to have keen eyes and ears while doing the QA. It is part of the process. We make mistakes! Depending on the kind of project - sometimes almost never - other times it is simply expected that there will be a few mistakes.
Occasionally we are in that "emergency" voiceover situation where a screw up on our part may impact their schedule. But, that is rare, don't you think? _________________ Playing for a living...
www.voiceover-talent.com
YouTube Channel: http://youtube.com/connieterwilliger |
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Lee Gordon A Zillion

Joined: 25 Jul 2008 Posts: 6864 Location: West Hartford, CT
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Posted: Sun Nov 01, 2015 1:42 am Post subject: |
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It is rare, I'm sure. But it is a possibility I don't think we even consider most of the time. _________________ Lee Gordon, O.A.V.
Voice President of the United States
www.leegordonproductions.com
Twitter: @LeeGordonVoice
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Philip Banks Je Ne Sais Quoi

Joined: 20 Jun 2005 Posts: 11074 Location: Portgordon, Scotland
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Posted: Sun Nov 01, 2015 2:13 am Post subject: |
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ConnieTerwilliger wrote: | I don't think anyone really expects something to be absolutely perfect the first time through - especially for self-directed work. |
For psychic self-direction I charge an extra $975 per second or the DECISION MAKER(S) can tell me exactly what they want.
When we work alone we are doing the work of at least 3 people, we charge for one person and give away the studio time. Having done the former should we discover we failed to second guess the client or they make "minor changes" we then do it all again only this time we give EVERYTHING away. In order to get to this privileged position we paid to be on a website and auditioned 545 times, invested $3,500 on a Coach who once fixed the photocopier for a voice over agent in Samaria, got a custom made demo for $2,500 from a guy who did the imaging for an AOR station in Alsaka (target market snow and deaf Polar bears) with a compressor that made "S" sound like cold bacon going into a hot frying pan and "P" like a Saab door slamming. Our continued success at this level is assured by on-going training from people who are not doing quite as well as we are and travelling thousands of miles every year to network with the VO business elite so that we can hear their Nervous Break down session on "Is Chapter 11 right for your next VO level?"
Should we charge for everything? No.
I am not in the business of spending money other people do not have. A good business relationship means me not taking food off a producer's table and in return I simply ask that they offer me the same courtesy. It appears to work. |
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