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Mike Harrison M&M

Joined: 03 Nov 2007 Posts: 2029 Location: Equidistant from New York City and Philadelphia, along the NJ Shore
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Posted: Tue May 04, 2010 12:06 pm Post subject: Billing more than one narration done in same session |
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A producer client has given me two scripts, each less than four pages, for two separate projects - but for the same end-user client - that are to be recorded in a single phone-patch session.
How would you invoice: as two separate jobs, or as a single session?
I'm guessing others have been faced with this conundrum and weren't sure how to handle it.
Just curious. _________________ Mike
Male Voice Over Talent
I have taken leave of my sensors.
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Lizden A Zillion

Joined: 04 Dec 2006 Posts: 8864 Location: The dark recesses of my mind
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Posted: Tue May 04, 2010 12:13 pm Post subject: |
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I would charge for one single session/project rate.
I have this same situation.
2 scripts from my client for the same client of theirs.
I quoted them a project rate for both scripts.
Delivered the 1st script yesterday, waiting on the 2nd script. _________________ Liz de Nesnera O.A.V. ~ Livin' The VO Dream!
English/French Bilingual VO w/ ISDN
HireLiz.com / liz@hireliz.com |
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asnively Triple G

Joined: 17 Jun 2006 Posts: 3204 Location: Los Angeles
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Posted: Tue May 04, 2010 12:37 pm Post subject: |
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For non-broadcast, if it's for one client and it's happening in one session, I would bill as if it were all one project. _________________ the Amy Snively family of brands for all your branded thing needs.
Amy Snively
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Last edited by asnively on Tue May 04, 2010 2:35 pm; edited 1 time in total |
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scottreyns Contributor

Joined: 29 Jan 2010 Posts: 35 Location: San Francisco, CA
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Posted: Tue May 04, 2010 1:36 pm Post subject: |
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One more vote for billing as a single project if there aren't broadcast variables involved.
I have a couple clients who have me do projects in batches, even though they need to have them delivered as distinct items. My rule tends to be that if I can read them all in the same session, even if the client doesn't need them turned around all at the same time, I just estimate my time/effort off the total word count across all of them and then get my quote approved before recording.
In addition to keeping things oriented toward simplicity and efficiency for mutual benefit, the upside on the client end is they end up saving a bit of money, and the upside on mine is I don't have to scatter the work across multiple spots on my calendar and it helps ensure that when the scripts are sent to me as a batch they're all definitely final etc. _________________ Scott Reyns, voice talent serving major metros (San Francisco, Los Angeles, Chicago, New York) and beyond |
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