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D Voice Been Here Awhile

Joined: 26 Jun 2010 Posts: 232
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Posted: Sat Aug 21, 2010 9:08 pm Post subject: recording position- into a corner? |
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Wondering about optimal placement for mic (and VO artist) recording in a small room.
Is it crazy to record facing into a corner? If so, how far away from the corner? Is there a formula or other considerations for this?
Any additional sound isolation, and reflection advice is also welcome. To my crude ear, it seems that I have little problem with reflection, but much more with isolation.
SOME DETAILS:
I live abroad in a small, corner, urban 1 bedroom apartment on the ground floor. It's on a side street downtown, yet the neighborhood is surprisingly quiet, except for the odd helicopter or motorcycle, and sometimes footsteps from above.
Hard to justify the space an isolation booth would swallow up, so the recording space I must use is a 11'x 10-1/2' bedroom, with an approximately 92"ceiling.
The 'control room' (which houses the desk, computers and is the kitchen/dining area), is on the other side of hollow sliding doors, which I call Wall D (below). Mic, stereo and some speaker cables are slipped through the crack between one of the sliding doors slightly open, and the adjacent wall (A).
SO:
Since the greatest source of constant noise is from the computers and refrigerators in the 'control room' which leaks through that corner, as well as the sliding doors themselves, it seems to me that the most logical thing to do is for me to face them.
Either:
1. directly at the sliding doors
or
2. into the CORNER of walls A/D , where the cables pass through
If so, how far out from a corner, is ideal?
Or should I be facing the A/B or B/C corners instead?
Or is speaking into corners to be avoided at all costs?
Am considering hanging clips for some kind of sound blanket or isolation material above the sliding doors when recording, and perhaps around the A/D corner
MORE DETAILS:
I labeled the walls going clockwise from the corner the cable pass through.
Long wall A is an exterior wall with no windows;
B is mostly a sliding glass door to outside (south) with a heavy curtain and the AC unit above, and the bed in front of it;
Wall C has clothing closets with folding doors, running the length of the wall (the closet is 71" high with 21" to the ceiling).
Wall D, is actually 4 lightweight 76" high (x34") hollow sliding door panels between the bedroom and the dining room/office where the desk and computers live. Normally it has to be open. There is a 15" space above with a 5" hollow wall.
There are book cases on wall A near the A/D corner. Most audio equipment apart from the computers is housed on a 5'(x 36" x 18") rack along one door panel on Wall D. Audio cables, etc. slip through the crack of the door at the corner of A and D
[FWIW Walls A and B have sofets that hang down 12" and 15" respectively, and there a large vertical sofet (for lack of a better term) 17"on each side in the outside corner (between walls A and .]
(would draw this up, but don't know of good software for doing so easily)
TIA |
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Mike Sommer A Hundred Dozen

Joined: 05 May 2008 Posts: 1222 Location: Boss Angeles
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Posted: Sun Aug 22, 2010 11:03 am Post subject: Re: recording position- into a corner? |
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D Voice wrote: |
(would draw this up, but don't know of good software for doing so easily) |
Just draw it out on a piece of paper and take a picture of it and post it. Pictures of the room help too. _________________ The Blog:
http://voiceoveraudio.blogspot.com/
Acoustics are counter-intuitive. If one thing is certain about acoustics, it is that if anything seems obvious it is probably wrong. |
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D Voice Been Here Awhile

Joined: 26 Jun 2010 Posts: 232
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Posted: Mon Aug 23, 2010 12:22 am Post subject: floorplan |
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not sure about doing that here either, but here's a shot:
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D Voice Been Here Awhile

Joined: 26 Jun 2010 Posts: 232
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Posted: Mon Aug 23, 2010 12:31 am Post subject: some photos |
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Mike Sommer A Hundred Dozen

Joined: 05 May 2008 Posts: 1222 Location: Boss Angeles
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Posted: Mon Aug 23, 2010 9:31 am Post subject: |
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These are the conditions a lot of folks in VO come up against.
If the main source of your noise is coming from your refrigerator and computer, there are only a few options available to deal with them: 1) Move as far away from the units as you can, 2) Replace them with quieter appliances, 3) Shut down the refrigerator while recording (which still leaves the much needed computer), 4) Close off the partition wall.
The answer is in there someplace, you just need to figure out how far you want to go into solving the problem. Noisy computers are the biggest offenders, and one that will follow you where ever you go. So getting a quiet computer would be my first order of business. You can then, unplug the refrigerator while recording, just don't forget to plug it back in.
Purchasing a quitter refrigerator is another option. Not cheap, but it will be less expensive then construction or a Whisper Room.
As for recording in a corner this is not the most ideal place to record, but if that's all you've got, then a considerable amount of treatment will be needed reduce the echo and bass resonance of the corner.
Your room is basically a cube, and you have a ceiling soffit that appears to extend around at least part of the room. This adds another set of corners to the room. And I don't even want to begin to muddy the waters with that potential set of problem.
So first eliminate the noise. Once you've done that, then you can work on reducing the rooms resonance with rigid insulation. _________________ The Blog:
http://voiceoveraudio.blogspot.com/
Acoustics are counter-intuitive. If one thing is certain about acoustics, it is that if anything seems obvious it is probably wrong. |
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D Voice Been Here Awhile

Joined: 26 Jun 2010 Posts: 232
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Posted: Mon Aug 23, 2010 9:44 pm Post subject: |
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Thanks,
Guess it is also a question whether distance or direction (orientation) of the (cardioid) mic is more important with regard to the noise sources.
(The fridges are actually pretty well behaved; it's more the computers, one in particular). Considering using my Acer notebook at home as well as on the road for recording, as it is the quietest.
Read about the 38% rule, and wondered whether and how that might apply to addressing a corner- is there a formula, or could it be as simple as measuring on the diagonal?
In my ignorance, I was kind of thinking/wishing the sofets might mitigate some of the reflections and bass problems.
Another option I am considering is a Portabooth or Reflexion type construction behind the mic, sitting on one of the shelves of the audio rack along wall D, with its back to the room with the offending noise machines, using sound insulation material, covered by some 2" pyramid foam squares I have.. |
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Mike Sommer A Hundred Dozen

Joined: 05 May 2008 Posts: 1222 Location: Boss Angeles
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Posted: Mon Aug 23, 2010 11:30 pm Post subject: |
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D Voice wrote: |
Guess it is also a question whether distance or direction (orientation) of the (cardioid) mic is more important with regard to the noise sources. | You'll get some off axis rejection, but the sound will bounce around the room and find it's way into the mic. One more reason for treatment.
Quote: | Read about the 38% rule, and wondered whether and how that might apply to addressing a corner- is there a formula, or could it be as simple as measuring on the diagonal? | No. The 38% position only works from the center of longest dimension of the room. Look at the diagram I posted here: http://www.vo-bb.com/phpBB2/viewtopic.php?t=11574
Quote: | In my ignorance, I was kind of thinking/wishing the sofets might mitigate some of the reflections and bass problems. | It's just one more set of corners.
Quote: | Another option I am considering is a Portabooth or Reflexion type construction behind the mic, sitting on one of the shelves of the audio rack along wall D, with its back to the room with the offending noise machines, using sound insulation material, covered by some 2" pyramid foam squares I have. | Your first order of business is to get the floor noise knocked down to -70dB . If you are unable to do that then your only option is to get a Whisper room.
But are you even pulling in gigs yet? Do you even have a demo?
You maybe putting the cart before horse here. That does not mean you should not be thinking about these things, it's better to fix one problem at a time. If you need design help just PM me. _________________ The Blog:
http://voiceoveraudio.blogspot.com/
Acoustics are counter-intuitive. If one thing is certain about acoustics, it is that if anything seems obvious it is probably wrong. |
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D Voice Been Here Awhile

Joined: 26 Jun 2010 Posts: 232
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Posted: Wed Aug 25, 2010 2:40 am Post subject: |
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I do appreciate the comments and suggestions.
Quote: | Your first order of business is to get the floor noise knocked down to -70dB . If you are unable to do that then your only option is to get a Whisper room. |
-70dB? Geez, I thought it was -40dB.
As I mentioned, a Whisper Room is probably out of the question. (I did see a small corner design booth available here domestically, but even that would probably be crowding things here a bit much.)
Quote: | You'll get some off axis rejection, but the sound will bounce around the room and find it's way into the mic. One more reason for treatment. |
Yes, I understand. So trying to find a set up and mic orientation which works reasonably well without having to do the entire room- minimizing the toll financially and aesthetically.
Originally thought about hanging a curtain from the ceiling closing off that area. But then was convinced that might not be necessary. I drew up a very rough diagram when at Voice 2010 and asked George W about it, and he seemed that the corner, or into the bookcase, might work.
Quote: | But are you even pulling in gigs yet? Do you even have a demo? |
Been making a living at it working abroad for several years, Only recorded a few things from home though- trying to get that set up, and get more comprehensive demo material recorded. |
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Mike Sommer A Hundred Dozen

Joined: 05 May 2008 Posts: 1222 Location: Boss Angeles
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Posted: Wed Aug 25, 2010 10:00 am Post subject: |
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D Voice wrote: | -70dB? Geez, I thought it was -40dB. |
Yes sir, -70 dB. But I'll let let you have -69 dB. SAVOA started the -40 dB standard for some reason, and as far as I'm concerned, that's way to loud for professional audio.
If you can get your noise floor down to around -60 you'll be in a safe zone, but if you're doing audio books, you might need that extra 9 or 10 dB's.
Quote: | As I mentioned, a Whisper Room is probably out of the question. (I did see a small corner design booth available here domestically, but even that would probably be crowding things here a bit much.) | Whisper Rooms are overpriced sweat boxes anyway.
Quote: | Quote: | You'll get some off axis rejection, but the sound will bounce around the room and find it's way into the mic. One more reason for treatment. |
Yes, I understand. So trying to find a set up and mic orientation which works reasonably well without having to do the entire room- minimizing the toll financially and aesthetically. |
We need to be honest here. Are you worried about aesthetics or do you want to earn a living at home?
It might be time to move to a larger place, or to a location where the room can be sealed off. Or you may have to sacrifice and be a little cramped. These are the cost of doing business at home. This is also the cost you would have if you were using a retail or commercial space.
Your particular situation is not ideal (the room can not be sealed) and getting a low noise floor may not be possible without making a sacrifice.
Quote: | Originally thought about hanging a curtain from the ceiling closing off that area. But then was convinced that might not be necessary. I drew up a very rough diagram when at Voice 2010 and asked George W about it, and he seemed that the corner, or into the bookcase, might work. |
"Might" being the key word.
The work for mitigating "noise" requires you to move about the house and find all the noise offenders. One of the first thing I would do, is shut down the house; turning off everything that makes noise, and then record your room. If you can get close to -60dB, you're home free.
This is your first order of business. Once we know where you are in terms of noise floor, then and only then can we find a total solution for your situation. _________________ The Blog:
http://voiceoveraudio.blogspot.com/
Acoustics are counter-intuitive. If one thing is certain about acoustics, it is that if anything seems obvious it is probably wrong.
Last edited by Mike Sommer on Wed Aug 25, 2010 6:42 pm; edited 1 time in total |
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Lance Blair M&M

Joined: 03 Jun 2007 Posts: 2281 Location: Atlanta
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Posted: Wed Aug 25, 2010 2:50 pm Post subject: |
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Just to be sure so everyone is on the same page, is a noise floor of -70 or -60dbFS:
1.) Measured against peak or average levels of the voice and
2.) Measured against recording session levels (could be from -18 or -9...depends on the engineer/talent) or measured against the processed final levels with the voice peaking at -3 to -.1dbFS? _________________ Skype: globalvoiceover
and now, http://lanceblairvo.com the blog is there now too! |
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sounddguy Contributor IV

Joined: 22 Jan 2009 Posts: 100 Location: Atlanta, GA USA
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Posted: Fri Aug 27, 2010 12:53 pm Post subject: Re: recording position- into a corner? |
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D Voice wrote: | Wondering about optimal placement for mic (and VO artist) recording in a small room.
TIA |
If the closet is full of clothes, consider putting the mic at the line of clothes,
and hang a heavy blanket or quilt etc over both of the louver doors
on each side of you.
Depending on how much noise is coming from the appliances, you may
still have to deal with that also.
For the frige, if your sessions are not too long, just shut it down. |
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