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Don G. King's Row
Joined: 11 Nov 2004 Posts: 1071 Location: MA
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Posted: Wed Jun 21, 2006 3:07 pm Post subject: Dayum. Just when you thought you had a rate structure... |
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Based on the type of VO work I mostly do, I have established rates which work for me (and my clients). Well, along comes a request to audition for the narration of an independent filmmaker's documentary. When asked about my rate, I quoted my non-broadcast rate, but explained that if the production is for air, that it would be different. I added (foolishly, in hindsight) "But let's worry about that after you decide you like the demo read and want to use me." FYI, I am presently working non-union.
Well, the good news is that they want me to do it and we're coordinating availability. The bad news is that now I have to come up with a rate that doesn't scare them away. I've googled and all I can find in the AFTRA rate sheet is for non-broadcast. Anyone know the going rate for broadcast narration? I'm assuming this documentary will be a limited airing, but I guess I shouldn't assume anything. I'd just like to have an idea of what number I should have in mind when I ask what their budget is, so I can be prepared.
Thanks in advance for any input. |
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Philip Banks Je Ne Sais Quoi
Joined: 20 Jun 2005 Posts: 11049 Location: Portgordon, Scotland
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Posted: Wed Jun 21, 2006 3:10 pm Post subject: |
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Your session fee (one hour minimum) + 100% use for 2 transmissions. |
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Don G. King's Row
Joined: 11 Nov 2004 Posts: 1071 Location: MA
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Posted: Thu Jun 22, 2006 6:48 pm Post subject: |
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Sorry, Banksey. I meant to thank you for your reply last night, but got sidetracked.
The producer and I had an exchange today. She's an independent filmmaker and is funding this out of pocket, etc. etc., etc. so we compromised. It'll be more like regular rate plus 60%. And there's a good chance it won't even air (sadly).
Thanks again for the advice. |
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