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What DAW do you use for audiobook editing/mastering?
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Jason Huggins
The Gates of Troy


Joined: 12 Aug 2011
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PostPosted: Thu Mar 20, 2014 8:47 pm    Post subject: What DAW do you use for audiobook editing/mastering? Reply with quote

Ok...let me start out by saying I really don't care WHY anyone uses any particular DAW. I was asked to put some content together and am comparing DAWs for the purpose of editing/mastering audiobooks. I'm just curious what you use (if you are in fact editing and mastering audiobooks and long form stuff).

Let me repeat. This is not a debate...I don't care which one is "best," and I don't need to know why you use it. Smile
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Bruce
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PostPosted: Fri Mar 21, 2014 7:09 am    Post subject: Reply with quote

I use MOTU's Audio Desk to record and edit, mostly because it came for free with the first MOTU interface I bought over a decade ago. I'm used to it. It's flexible and treats me kindly.

However it doesn't have quite the features I thought I needed to master audiobooks. I paid for and watched George's lesson on how to master using Twisted Wave, bought the software, and have been using it, following his directions closely, and Audible's been happy with every book I've submitted.

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vkuehn
DC


Joined: 24 Apr 2013
Posts: 688
Location: Vernon now calls Wisconsin home

PostPosted: Fri Mar 21, 2014 9:03 am    Post subject: Reply with quote

Adobe Audition.

Currently using the Creative Cloud (Version 6?). Has a new feature or two I like, but I am really more comfortable with interface of 2.0 or 3.0. (I just threw that in for free, even though I know you didn't want to know.)
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Frank F
Fat, Old, and Sassy


Joined: 10 Nov 2004
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PostPosted: Fri Mar 21, 2014 10:09 am    Post subject: Reply with quote

Adobe Audition 3.1. No cloud, no crap.

The real truth is the DAW you use for editing is the one you are most familiar with and are comfortable using. Why someone uses a particular DAW is of no consequence. Why you use the DAW you like is...

Frank F
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bobsouer
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PostPosted: Fri Mar 21, 2014 11:11 am    Post subject: Reply with quote

I record in Pro Tools 9 and edit in Sound Forge 10.
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Jason Huggins
The Gates of Troy


Joined: 12 Aug 2011
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PostPosted: Fri Mar 21, 2014 11:23 am    Post subject: Reply with quote

I'm seeing a trend (not just here) that most audiobook peeps edit/master in either Adobe Audition or Soundforge. I read that most editors at ACX use SF.
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georgethetech
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Joined: 18 Mar 2007
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PostPosted: Fri Mar 21, 2014 9:22 pm    Post subject: Reply with quote

Thanks for the plug, Bruce! I used TwistedWave for every book I've worked on in post. Editing is VERY fast, Mastering even faster. Don't over think the mastering, they (Audible/ACX) aren't actually that picky. Pro Tools 11 could be equally as efficient with proficiency, thanks to offline bounce. Audition works great, too. Audacity "mastering" tools are too clunky, slow workflow. Roll n Punch with Reaper is awesome (no headphones required), but I've never edited with it.
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Jason Huggins
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PostPosted: Sat Mar 22, 2014 5:32 am    Post subject: Reply with quote

Can you analyze noise floor and total RMS in TW?
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bobsouer
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PostPosted: Sat Mar 22, 2014 8:39 am    Post subject: Reply with quote

Jason Huggins wrote:
I read that most editors at ACX use SF.

Jason,

Sound Forge is the program all of the editors at Audible use. The entire company has standardized on it. At least so they told us at a seminar they held the day after APAC last year.
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Andy
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Joined: 12 Mar 2012
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Location: Washington DC

PostPosted: Sat Mar 22, 2014 11:44 am    Post subject: Reply with quote

Twisted Wave. OUTSTANDING service from the developer and it's only $80. The apps that go with allow me to edit my books when I am out and about through my iPhone. Perfect for audiobook recording...and as George says editing is a breeze. Ditto for me with Audible/ACX--never an issue with my books.
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georgethetech
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Joined: 18 Mar 2007
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PostPosted: Sat Mar 22, 2014 3:14 pm    Post subject: Reply with quote

TwistedWave is like SoundForge for the Mac before there was a SF for Mac, and it's better than SF for Mac... Yes you can measure noise floor, RMS, peak, all that stuff. No, you can't multitrack, punch n roll, or do spectral display of waves.
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George Whittam
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Donna
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PostPosted: Sat Mar 22, 2014 5:41 pm    Post subject: Reply with quote

SoundForge here as well.
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Scott Pollak
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Joined: 01 Jun 2010
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PostPosted: Sat Mar 22, 2014 6:06 pm    Post subject: Reply with quote

Audition CS 5.5, no cloud.
And like George said, they're not that picky. I mainly apply light noise reduction, hard limit to -6db and make sure the 'mandatory' half-second leader space, 1.5 seconds after chapter title, and 3.5 seconds are at the end.

And I get rid of pops and clicks. Never had one bounced back to me.

DAWs are like computers. My lovely and quite bright wife once said:

"Which computer is best? The one that works best for YOU."

I'm betting most of us just use what we pretty much cut our teeth on, at least in the digital editing realm.
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whalewtchr
Cinquecento


Joined: 18 Feb 2010
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PostPosted: Sat Mar 22, 2014 8:27 pm    Post subject: Reply with quote

Record PT 10.3.8, edit on Audition CS6, back to PT for master and here's a curveball, mp3 conversion with iTunes because Audible requested it.
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JBarrett
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Joined: 19 Feb 2007
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PostPosted: Mon Mar 24, 2014 7:10 am    Post subject: Reply with quote

I use Reaper for everything, including the few books I've recorded.
soundgun wrote:
Roll n Punch with Reaper is awesome (no headphones required), but I've never edited with it.

I tried to get a punch-n-roll workflow set up in Reaper, but don't quite feel like it's really working that smoothly, and I still have to wear headphones. Any chance you could share some tips?
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