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banjo
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PostPosted: Wed Feb 14, 2007 8:59 am    Post subject: Easy Mic Reflector Reply with quote

I use a left over piece of acoustic foam for my mic reflector. I cut a slit
long enough to slide the foam over the mic stand arm to hold the foam
in place exactly where I wanted it. Very inexpensive. Works great.

Just copy and past the link below to take a look.

http;//mikecarta.com/DSCN2129.jpg

Best Regards,

MC
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DaveChristi
King's Row


Joined: 03 Aug 2006
Posts: 1033
Location: Bend, OR

PostPosted: Wed Feb 14, 2007 9:28 am    Post subject: Reply with quote


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Dave "Christi" Felton
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TheVoiceOfBob
14th Avenue


Joined: 05 Oct 2006
Posts: 1411
Location: Pittsburgher in the Carolinas

PostPosted: Wed Feb 14, 2007 10:09 am    Post subject: Reply with quote

ThreadJack alert!

Dave, is that a D-104 Kermit is holding there in your avatar?
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Jowillie
Lucky 700


Joined: 20 Aug 2006
Posts: 714
Location: North Carolina

PostPosted: Wed Feb 14, 2007 10:19 am    Post subject: Reply with quote

Kermit! Is that the famous South Beach ADK Art Deco Studio. It's fabulous!
By the way, I do the split just like MC but on a set-up just like DC's (except I've just started inverting the mic).
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Wild Willie Edwards
www.hometowntvtoday.com
http://vomictest.blogspot.com
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DaveChristi
King's Row


Joined: 03 Aug 2006
Posts: 1033
Location: Bend, OR

PostPosted: Wed Feb 14, 2007 10:40 am    Post subject: Reply with quote

TheVoiceOfBob wrote:
ThreadJack alert!

Dave, is that a D-104 Kermit is holding there in your avatar?


It LOOKS like the old Astatic mic, but it's not my pic... just one I found, so I cant be 100% sure. Can't tell if it has the "grip-to-talk" style stand either.
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Dave "Christi" Felton
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todd ellis
A Zillion


Joined: 02 Jan 2007
Posts: 10494
Location: little egypt

PostPosted: Wed Feb 14, 2007 1:41 pm    Post subject: Reply with quote

TheVoiceOfBob wrote:
Quote:
ThreadJack alert!

Dave, is that a D-104 Kermit is holding there in your avatar?


10-4 - it's a D-104 on the Tug8 stand.
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Mushmelon
Been Here Awhile


Joined: 07 Jan 2007
Posts: 237
Location: NY

PostPosted: Wed Feb 14, 2007 5:25 pm    Post subject: Reply with quote

I used to have a gold D104 hooked up to my Browning Golden Eagle a long...long...time ago.
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CWToo
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PostPosted: Wed Feb 14, 2007 6:08 pm    Post subject: Reply with quote

todd ellis wrote:
OK - I've been to Lowes.


While you were there, did you hear me on the in-store ad promoting snow blowers? With the weather the way it is in the north east it should be in heavy rotation.
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todd ellis
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Joined: 02 Jan 2007
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Location: little egypt

PostPosted: Wed Feb 14, 2007 6:12 pm    Post subject: Reply with quote

Chris wrote:
Quote:
did you hear me on the in-store ad promoting snow blowers?


Sorry - I missed it. I did, however, hear Connie hollerin' at somebody to come help in hardware.
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allensco
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Joined: 30 Jul 2005
Posts: 823
Location: Alabama, USA

PostPosted: Wed Feb 14, 2007 9:17 pm    Post subject: Reply with quote

Mushmelon wrote:
I used to have a gold D104 hooked up to my Browning Golden Eagle a long...long...time ago.


Oh My Gawd! I haven't heard about or seen a Golden Eagle in YEARS! I see a D104 regularly though. My step-father still piddles around with radios (as a tech) and talks on the CB with some of his buddies. He used to have a set of those Browning Golden Eagles many moons ago. I loved they way they would squeal when you keyed up to talk Laugh Just too kool!

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Bret
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PostPosted: Wed Dec 26, 2007 10:13 pm    Post subject: Reply with quote

Apologies many times over for bringing this ancient thread into the new year!

HOWEVER,

I've been saving to purchase this fun product (the sE Reflexion Filter) for awhile. I demoed one in a Guitar Center in Boston by simply speaking into the device at a distance of one-and-a-half feet. The effect was eerie and fun - more so than when speaking into the Auralex box nearby. Let's just hope this thing works with a Heil PR-40 (the manufacturer says it should be fine).

My recording environment is so pathetic it brings grown men to tears.

Anybody use this thing recently?
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bobsouer
Frequent Flyer


Joined: 15 Jul 2006
Posts: 9882
Location: Pittsburgh, PA

PostPosted: Thu Dec 27, 2007 5:43 am    Post subject: Reply with quote

Bret,

I had a recording session while I was in Seattle a couple of months ago and the studio where I worked actually had one of these in their VO booth. I didn't try anything in that room without the filter in place, so I can't say what difference it made, but the folks at the other end of the ISDN session were very happy with what they got.
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Bob Souer (just think of lemons)
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Jowillie
Lucky 700


Joined: 20 Aug 2006
Posts: 714
Location: North Carolina

PostPosted: Thu Dec 27, 2007 6:15 am    Post subject: Reply with quote

There are other similar products. Go to this site: http://www.realtraps.com/p_pvb.htm (when it's uHobo Happy they have posted comparison audio between the their "Portable Vocal Booth" and the RF.
It is very interesting.
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http://vomictest.blogspot.com
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Bret
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PostPosted: Thu Dec 27, 2007 10:13 am    Post subject: Reply with quote

Jowillie wrote:
There are other similar products. Go to this site: http://www.realtraps.com/p_pvb.htm (when it's uHobo Happy they have posted comparison audio between the their "Portable Vocal Booth" and the RF.
It is very interesting.

Thanks for that, Willie.

I'm a little concerned with their testing procedures. That loudspeaker is much larger than a human head, and the RealTraps product is clearly made for such conveniently large-format situations. It's entirely possible that the sound which escaped the sE produced the "coloration" they discuss. Wood floors? Hrm... I would have been much more interested in a qualitative test (with a voice talent). Dubious comparison.

BUT HEY, I could be wrong. If I could hear a strong talent *speaking* into both of these, I'd be sold in one direction or the other, I'm sure.
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Edo
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PostPosted: Thu Dec 27, 2007 10:21 am    Post subject: Reply with quote

Bret wrote:
I'm a little concerned with their testing procedures. That loudspeaker is much larger than a human head, and the RealTraps product is clearly made for such conveniently large-format situations. It's entirely possible that the sound which escaped the sE produced the "coloration" they discuss. Wood floors? Hrm... I would have been much more interested in a qualitative test (with a voice talent). Dubious comparison. BUT HEY, I could be wrong. If I could hear a strong talent *speaking* into both of these, I'd be sold in one direction or the other, I'm sure.


I am not related to RealTraps nor to its owner, but Ethan Winer (founder of RealTraps) is an invaluable source of knowledge in the acoustics department. Besides that, he's an excellent Cello player (is that the right English word for a big standing violin?) it is in my language (Dutch)... Wink

As far as wooden floors go... you'll find them in just about every professional recording studio. It's part of what a 'live room' should sound like. Walls and ceilings obviously are always treated surfaces.
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