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Monitoring DB Levels in Pro Tools
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richgates
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PostPosted: Sat May 12, 2007 10:01 pm    Post subject: Monitoring DB Levels in Pro Tools Reply with quote

Hey Guys,

I'm trying to determine the level of ambient noise in my environment. Even when I'm completely quiet I'm getting a fair amount of volume in my recording. Does Pro Tools have a means to know how many db's that little green bar is? I've checked the manual and does some Google searches and nothing obvious has come back thus far.

Thanks
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donrandall
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PostPosted: Sat May 12, 2007 10:52 pm    Post subject: Reply with quote

Record your room and then use a noisegate to determine the point at which the gate shuts down all ambient noise. It may take some trial and error to zoom in on the precise point, but you should be able to pin it down by that method. Just be sure that you don't make any noise, no breath noise, no coughing, don't clear your throat, don't burp, don't scratch your...... or make any other noises of any kind - any of that kinda stuff will ruin the test.
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richgates
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PostPosted: Sat May 12, 2007 10:55 pm    Post subject: Reply with quote

I think I figured out how to do it without using a gate. It isn't precise but close enough. I just basically moved the fader down to match where the peak is for the ambient noise. Looks like I'm at -68.4db. I'm thinking that's pretty poor.
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Jeffrey Kafer
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PostPosted: Sat May 12, 2007 11:14 pm    Post subject: Reply with quote

I wouldn't worry about it, Rich. There's no usable sound in that low a range, so you should be able to simply gate it out.

As well, don't worry about the number by itself. Do the recording sounds ok?
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donrandall
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PostPosted: Sat May 12, 2007 11:14 pm    Post subject: Reply with quote

Quote:
I just basically moved the fader down to match where the peak is for the ambient noise. Looks like I'm at -68.4db. I'm thinking that's pretty poor.


That's about where my ambient noise level is. I don't worry about it, it has never been a problem - at least, not as far as I am aware.

I record with no processing of any kind, so that means I must record at a low level to avoid clipping that would occur if I tried to record at an ideal average.
Recording at that very low level means that I have a relatively low level signal that will need to be boosted once the stray peaks are knocked down (if I will be doing the production rather than sending raw audio to be produced by someone else). I will generally use around 6db of boost, approximately doubling the original. Sometimes I will set a limiter and then boost by 8db or maybe even 9db. Even at that, the ambient noise is not a problem, and that is without using a noisegate. Why? Because I have a Noise Filter that works. It works very well.
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richgates
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PostPosted: Sat May 12, 2007 11:18 pm    Post subject: Reply with quote

Jeff:

I don't think it sounds ok. I can definitely hear the background noise. I have a preset in Ozone that kills the background noise, but overall I think it is producing a lousy recording.

I will revisit this when I get settled in Oregon, but it seems when I gate the recordings they have an almost robotic sound. They certainly don't sound right to me.
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Jeffrey Kafer
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PostPosted: Sat May 12, 2007 11:22 pm    Post subject: Reply with quote

That's quite surprising that you're hearing noise at 69db without cranking your speakers LOUD. I have roughly the same noise bed and the only reason I know it's there is cause the meter says so.

hey here's another thought. Are you sure the nosie you're hearing is in the file and not in the playback chain somewhere? Perhaps your speakers? Just a thought....

post a sample and the rest of us can take a look... er listen.
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Bill Campbell
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PostPosted: Sun May 13, 2007 6:20 am    Post subject: Reply with quote

Rich. I think -68 with no processing is excellent. You'd have to use a gate
or expander to do better.
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richgates
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PostPosted: Sun May 13, 2007 11:08 am    Post subject: Reply with quote

Ok here are two samples. The first is dry except for the gain on my tube set at 50%.

http://www.richgates.com/audio/ambientnoise.mp3

The second here is with no tube at all:

http://www.richgates.com/audio/ambientdry.mp3

Even if noise is taken out of the equation I simply think the recording sounds like poo. Smile
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Dave
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PostPosted: Sun May 13, 2007 12:11 pm    Post subject: Reply with quote

First of all, I have to say my ears are old and damaged from clevite headphones back in the day. With that in mind Rich, I can't say that I hear anything distracting from either of your samples. Perhaps Jeff is right and it is something in the playback as the culprit. (Or my hearing is even worse than I suspected)
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sdelgo
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PostPosted: Sun May 13, 2007 1:22 pm    Post subject: Reply with quote

It sound just like regular room ambient noise with a few bird chirps towards the end of the 2nd clip. A hardware gate set properly would help out quite a bit.

Steve
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richgates
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PostPosted: Sun May 13, 2007 1:30 pm    Post subject: Reply with quote

Birds aside, in a proper environment you shouldn't have to gate with either software or hardware, right? My issue is that when I do it gives the recording an unnatural sound. I would rather be able to send auditions and jobs with no processing whatsoever.
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Jeffrey Kafer
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PostPosted: Sun May 13, 2007 1:41 pm    Post subject: Reply with quote

I didn't hear any birds, but I did pick up a VERY slight low frequency hum. But I wouldn't have noticed it if I didn't crank up the volume.

I assume you're in a closet recording? perhaps you're picking up computer fan noise or something? I found I have to turn off the heat/AC in the house so as not to pick up a low frequency rumble. Something to look into anyway.
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richgates
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PostPosted: Sun May 13, 2007 1:52 pm    Post subject: Reply with quote

No, I'm in a room. The mic is in the Port-a-Booth and I think that helps some but mostly to deaden the sound than the rid it of ambient noise.
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Jeffrey Kafer
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PostPosted: Sun May 13, 2007 2:00 pm    Post subject: Reply with quote

ok, so it sounds like the weak link is the porta-booth. Are you asking for ideas on how to reduce the ambient noise?
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