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New booth not up to expectations
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Living Culture
Contributore Level V


Joined: 14 Oct 2007
Posts: 189
Location: Taipei

PostPosted: Tue Dec 21, 2010 7:56 am    Post subject: New booth not up to expectations Reply with quote

Hi all
I moved a few months ago and have been steadily building my new booth, as opposed to glorified cubicle I was using before. However, it doesn't seem to be performing as it should. What do you think of this sample
http://lcmsmedia.com/clipstemp/
The microsoft sample is sample I mean. Google sample is reference to older "cubicle"

Since the chain is simple, KSM44-SSL Alpha Channel_Focusrite(via spdif) to PC, I assume the problem is with the booth.

I thought the booth has suffient bass trapping, with ceiling traps in 3 corners and corner trap in 1, all with about 4 - 6 inches of Rockwool. The walls are 2 inch on 2 walls and 4 and 6 on the other two (differences result from design issues)

Here are some photos for clarity.

http://www.facebook.com/photo.php?pid=31357748&l=1cba7055c3&id=1401843588

http://www.facebook.com/photo.php?pid=31357741&l=51308d6613&id=1401843588

http://www.facebook.com/photo.php?pid=31357747&l=0b5ee8c82c&id=1401843588
http://www.facebook.com/photo.php?pid=31405447&l=ad9711588e&id=1401843588[/url]
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Mike Sommer
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PostPosted: Tue Dec 21, 2010 3:05 pm    Post subject: Reply with quote

I think some of the construction techniques and materials are to blame here. Since I'm not standing in the room to really understand the problem, but seeing that you used plywood rather than drywall for the sheeting is, I'm sure, adding some resonance.

What you built is commonly known as an inside-out wall. Because of this design, the inert properties of the drywall are very important; the drywall actually acts as a bass trap, or membrane trap.
(I'm also gathering that you're not having any problems with outside noise isolation.)

Also what weight is the rock wool you used? you need material that weights 3 pounds per cubic foot, to be effective.

For the corner bass traps you need a minimum of 6-inches of rigid insulation, or superchunks.

You also don't have bass traps in any of the standing corners.

No panels on the door. ( is the door solid core?)

And almost a third of one wall is glass. ( Honestly I never understood the need the need of big windows-- or windows at all. They create more problems then they solve. If you need a window put it in the door and no bigger than 12" x 12".

My recommendations:

Lose the window and add a layer of 5/8" drywall to the wood using Green Glue. Or remove the plywood and add two layers of 5/8" drywall.

Add a 2" wideband panel on the door.

Install two superchunck bass traps in the corner where your mic is at, floor to ceiling.

Put a heavy rug on the wood floor.

Check the density of your mineral wool, you may need to add thickness to the walls.


NOTE: TO EVERYONE>
I'm here to help. Yes, I do charge for my extended detailed services, but they pale in comparison to having to rip everything out and starting over again.

For general advice and guidance I try to be very generous. But I, as well as George really hate it when we see stuff like this. We hate being he bears of bad news. So be smart, run stuff buy us first, before you build.
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Bailey
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PostPosted: Tue Dec 21, 2010 11:38 pm    Post subject: Reply with quote

Mike Sommer wrote:
So be smart, run stuff buy us first, before you build.

Better to be smart and do... than to do and re-do.
Smile
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Mike Sommer
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PostPosted: Wed Dec 22, 2010 1:15 am    Post subject: Reply with quote

Very good Grashoppa.
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Monk
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PostPosted: Wed Dec 22, 2010 10:56 am    Post subject: Reply with quote

I hope to be building a new control room and vocal booth in the spring... you bet I'll send you preliminary ideas first.
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Living Culture
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Joined: 14 Oct 2007
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Location: Taipei

PostPosted: Sun Dec 26, 2010 8:46 am    Post subject: Reply with quote

Hi Mike, thanks for the reply. Some of the decisions I made for construction were purely a result of available materials. I find it is difficult to get some raw materials in Taiwan.

Mike Sommer wrote:
I think some of the construction techniques and materials are to blame here. Since I'm not standing in the room to really understand the problem, but seeing that you used plywood rather than drywall for the sheeting is, I'm sure, adding some resonance.

I didn't know plywood would add resonance. I used it here mainly because I did it single-handely and I find drywall is a curse to work with.

Quote:

(I'm also gathering that you're not having any problems with outside noise isolation.)

Correct. My primary aim was not soundproofing the room. The area is reasonably quiet, I only needed to stop household sounds and the odd scooter. There is some construction work going on nearby at the moment, but trying to soundproof to block powertools is out of my means.[/quote]

Quote:
Also what weight is the rock wool you used? you need material that weights 3 pounds per cubic foot, to be effective.

I have no idea. I took the only Rockwool I could find and it didn't have any marking on it.

Quote:
For the corner bass traps you need a minimum of 6-inches of rigid insulation, or superchunks.

You also don't have bass traps in any of the standing corners.

I have a standing bass trap in one corner, maybe not visible in the photos. It is 6" deep (solid rockwool in triangles)

Quote:
No panels on the door. ( is the door solid core?)

The door is hollow-core. It wasn't meant to be part of the final booth, I just had it up to make sure the rest of the construction was right. This does act as a resonant membrane. Since, my building budget is up, I added weight to the door with leftover plywood and put panels on.

Quote:
And almost a third of one wall is glass. ( Honestly I never understood the need the need of big windows-- or windows at all. They create more problems then they solve. If you need a window put it in the door and no bigger than 12" x 12".

A window in the door was my original idea, but I never found anything suitable. I know it is a bit big, but I wanted to be able to have visual communication with a standing VO as well as a seated musician. I prefer visual communication for language barrier reasons, as well as being able to see straight-away if the talent is where they should be.

Quote:
My recommendations:

Lose the window and add a layer of 5/8" drywall to the wood using Green Glue. Or remove the plywood and add two layers of 5/8" drywall.

Add a 2" wideband panel on the door.

Install two superchunck bass traps in the corner where your mic is at, floor to ceiling.

Put a heavy rug on the wood floor.

Check the density of your mineral wool, you may need to add thickness to the walls.

Thanks for the advice.
I've added some weight onto the door and foam on the inside, I have a spare trap I tried putting on, but cannot add on 2" as the door cannot open properly then.
I added a "soundproofing"(BS! but it does help with vibrations) carpet on the floor.

Strangely enough, I have since put in the PC monitor for video syncing and the mic seems to sound best right in front of that.
I'll post samples with the changes.

Merry Xmas!
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Living Culture
Contributore Level V


Joined: 14 Oct 2007
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PostPosted: Sun Dec 26, 2010 8:53 am    Post subject: Reply with quote

Here is a sample with the changes.

http://lcmsmedia.com/clipstemp/Microsoft_12_23.wav
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Mike Sommer
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PostPosted: Sun Dec 26, 2010 11:33 pm    Post subject: Reply with quote

Since you don't have a problem with outside noise, remove the door. This will allow the bass in the corner to escape -- Yeah it's that easy. Of course if you don't have a problem with "Isolations" there was really no need the build the small booth, you would have been better off treating the larger room.

Try covering the the window, or as much as you can, and let's see how that sounds.

The monitor can be creating some kind of weird null; eliminating an odd frequency, especially if it really close to the mic.

There is something very strange going on in this room. The only way to discover this is to run a Room Analysis with programs like FuzzMeasure (Mac) or ETF from Acoustisoft. Using these programs will help pinpoint the problem. But all you can really do is just add another layer of insulation to the wall.

When you purchased the Mineral Wool there is a makers mark and a product number, with that information I can track down the density information for you.
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Living Culture
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PostPosted: Mon Dec 27, 2010 1:54 am    Post subject: Reply with quote

To clarify, soundproofing wasn't my primary goal, but I still need to eliminate some outside noise (household/PC etc). I found that with the extra weight and panels on the door it gives just the right amount of isolation. I'll try a recording with the door open and see how it sounds. Or just put the extra trap on the door and deal with the door not opening fully (not really a big inconvenience)

I know just treating the whole room would have better. But I am renting here with a fussy landlord who doesn't want alterations made, so I went with the freestanding room.

To cover the window slightly, would the acoustic foam help? Or do I need to remove bass there, too?

I'm wondering if the aircon could be a factor.

The make of the rockwool is KMD (presumably a local brand), but no visible product number on packaging. I'll try find the invoice and see if its on there.

If it helps, the room is 38X59X79. The rockwool is 120cm X 60cm at 2" each. I used about 55 to 60 pieces.

I don't have ETF, but I can run an analysis with an Ultracurve or PAF software, should be similar.
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Mike Sommer
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PostPosted: Mon Dec 27, 2010 2:53 pm    Post subject: Reply with quote

Let me point out that the foam, at best, is doing very little except that it might be providing some diffusion, but again very little.

Whether it be fiberglass or foam, we need a density of 3-pound per cubic foot, to absorb a wideband of frequency.

In Standing corners bass trapping, using 2x4 feet panels, straddling across the corners, needs to be 6 inches thick. This will give you 24-inches across the corner-- the minimum about of bass traping required for the mitigation of bass frequencies.

I explain how to build Superchunks here:
http://www.vo-bb.com/phpBB2/viewtopic.php?t=12008&highlight=superchunk

If you have some rockwool just set it in the window to see what happens. OR if you have a heavy moving blanket, drape it across the window to eliminate the slap back.

The AC should not be a problem

You're also dealing with a slanted ceiling. This maybe the culprit of the odd sound you're getting. This is why we do not splay walls folks; doing so creates problems that are often untreatable, or the treatment is more expensive than the booth is worth.
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Living Culture
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Joined: 14 Oct 2007
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Location: Taipei

PostPosted: Thu Dec 30, 2010 10:55 am    Post subject: Reply with quote

[quote="Mike Sommer"]Let me point out that the foam, at best, is doing very little except that it might be providing some diffusion, but again very little.
Sure, its only working on some high frequencies. Actually, its only there because its the easiest way to make the booth look aesthetically OK. The joins on the material inside are hideous.

Quote:
In Standing corners bass trapping, using 2x4 feet panels, straddling across the corners, needs to be 6 inches thick. This will give you 24-inches across the corner-- the minimum about of bass traping required for the mitigation of bass frequencies.

I explain how to build Superchunks here:
http://www.vo-bb.com/phpBB2/viewtopic.php?t=12008&highlight=superchunk

Thats how I did the one standing trap, but the ceiling traps are just 2 layers of 2" with airgap behind them. Ethan Winner makes a big deal of leaving airgaps behind bass traps if I remember correctly.

Quote:
You're also dealing with a slanted ceiling. This maybe the culprit of the odd sound you're getting.

The ceiling isn't slanted. Just the photos were taken at awkward angles..lol. Although I think the ceiling could be creating problems with a board I put in there over the Rockwool to be ale to screw the lighting in place. I'm thinking about putting a cloud in to check.

I've put the extra 3-4" on the door. Its sounding better already.

I'm deciding which corner to try a bass trap in. The window corner and door corner are not conducive to adding now. And last corner is where all the wiring is, including breakout box for snake and plugs...but maybe I can put in traps leaving gaps for those.
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Mike Sommer
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PostPosted: Tue Jan 04, 2011 1:58 am    Post subject: Reply with quote

Keep moving forward and testing, not every booth comes out perfect the first time.


There is no real evidence that Air-gaps behind "conner" bass traps add any improvement, that's why superchunks work so much better. Where air-gaps do improve the performance, is on the wideband panels, those panels that set on flat walls or ceiling clouds.

So to reiterate: corner basstraps need 6-inches of rigid insulation on the face, or superchunks.
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Acoustics are counter-intuitive. If one thing is certain about acoustics, it is that if anything seems obvious it is probably wrong.


Last edited by Mike Sommer on Tue Jan 04, 2011 11:09 am; edited 1 time in total
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asnively
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PostPosted: Tue Jan 04, 2011 2:24 am    Post subject: Reply with quote

Does everyone need bass traps? Like girls, for example?
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Living Culture
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Joined: 14 Oct 2007
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PostPosted: Tue Jan 04, 2011 6:21 am    Post subject: Reply with quote

Quote:
Keep moving forward and testing, not every booth comes out perfect the first time.

Thanks Mike. I've been testing with a small panel I have laying around. It appears the window is not a major issue. The ceiling seems to need the most treatment, and one of the corners.

Quote:
Does everyone need bass traps? Like girls, for example?

Sorry... female bass traps are off the market. (At least until Talker Tee "more colors available" starts applying to male Tees too!)
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Mike Sommer
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PostPosted: Tue Jan 04, 2011 11:05 am    Post subject: Reply with quote

Yes, every girl needs a man... er.. um Bass Trap-- or two, or three.
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