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24-bit recording in Windows

 
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D Voice
Been Here Awhile


Joined: 26 Jun 2010
Posts: 232

PostPosted: Wed Apr 18, 2012 7:15 am    Post subject: 24-bit recording in Windows Reply with quote

Anybody got any suggestions for a (preferably freeware) application that they know for sure can record in 24-bit in Windows?

I have mostly used an older version of AA (essentially CE) and Audacity for quick and easy stuff.

I actually really like many things features of Audacity 2.0, but just discovered that in Windows, while it can can import/process/export in 24 bit or 32-bit floating point, Audacity can only RECORD in 16-bit, no matter what you set it to- something about "port scripts" or some such.

(Apparently the same is true for my version of AA- i.e. it will record in 16 bit and then "do the math" to make it look like 24-bit etc. if that is what you ask for).

From what I understand, it is the combination of Windows and this/these programs, but not all.

Would really prefer to be recording in 24-bit for the better separation from the noise floor, etc.
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Dale



Joined: 29 Mar 2012
Posts: 9
Location: West of Cowtown, Texas

PostPosted: Wed Apr 18, 2012 6:58 pm    Post subject: Re: 24-bit recording in Windows Reply with quote

D Voice wrote:
Anybody got any suggestions for a (preferably freeware) application that they know for sure can record in 24-bit in Windows?

Would really prefer to be recording in 24-bit for the better separation from the noise floor, etc.


D-
This is my first post on this forum. I have been a VO-BB-voyeur, for a year or so, and recently decided to sign up.

I use Reaper. It is a powerful little DAW. You can download it for free and use it as a trial. The cool thing is, if you like it, the cost is only $60 for a personal copy, good for an entire version upgrade. Regardless, the trial version is unadulterated, with full capabilities. It only has a nagging "if you like it- buy me" reminder. The trial version does not lock you out, watermark, or lose any features, should you decide to keep trying it longer than the 30 days. The guys at Cockos (Reaper) run an honor system. It sounded too good to be true, when I first found it. However after using it, I bought it and never looked back.

I hope this helps.
Dale
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Frank F
Fat, Old, and Sassy


Joined: 10 Nov 2004
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Location: Park City, Utah

PostPosted: Wed Apr 18, 2012 9:12 pm    Post subject: Reply with quote

Which version of AA do you currently use? What is your current sound card?

All Audition versions I have used are able to record in 24 bit in Edit view. Both work with 32 bit floating point (which is 24 bit) in multitrack view.

The 24 bit recording setup is dependent upon your sound card settings, not on AA's internal sound application. Audition will sense the current input settings of your audio device and use those when beginning to record.

If your audio device is set to record 16 bit natively or cannot record 24 bit this may be the problem.

As a side note: Noise floor will not be affected by the bit rate. Your noise floor has so many components which are outside of that specific parameter it is hard to describe which might be the most noisy. However the anomalies may be a tad less audible.

For most VO projects I use 16 bit, 48k.

Good luck.

Frank F
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Ed Gambill
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Joined: 18 Nov 2007
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PostPosted: Wed Apr 18, 2012 11:43 pm    Post subject: Reply with quote

D

I have been using Sound Forge from Sony for years (from 1.0). Good customer support.

Sound Forge Audio Studio 10 is free to try, and a bit under $70.00 to buy. In addition you will be able to get credit for your purchase if you want to up grade.

This links to tech spec a Sony’s web site http://www.sonycreativesoftware.com/audiostudio/techspec
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D Voice
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Joined: 26 Jun 2010
Posts: 232

PostPosted: Thu Apr 19, 2012 12:37 am    Post subject: Reply with quote

Yes Dale, Reaper is quite nice, and will probably get that at some point, at least until AA 6.1 comes out. But I like the idea of a freeware/open source software such as at least for recording, because I can easily install it on my multiple computers.

And are you absolutely certain that the RECORDING bit depth in Reaper (for Windows) is actually 24-bit?

Frank F wrote:

All Audition versions I have used are able to record in 24 bit in Edit view. Both work with 32 bit floating point (which is 24 bit) in multitrack view.

The 24 bit recording setup is dependent upon your sound card settings, not on AA's internal sound application.

Frank F


No, this is an issue independent of the interface. Obviously, no 16-bit interface will truly record in 24-bit (or higher). That's not what I am talking about.

Most all modern DAWs will Import or Export or allow you to work in 24-bit or 32-bit Floating Point. But RECORDING in 24-bit turns out to be another matter, and not so easy to discern.

As I mentioned, Audacity (and apparently some other applications- such as some versions of AA) actually switch to recording at a 16-bit depth automatically, and then "blow it up" to 24 bit or whatever you requested.

Again, the problem is, even with a 24-bit interface (such as my Mic Port Pro, or CI1, etc,) in Audacity (and apparently some other software), it will only give you a 16-bit file, blown up to simulate a 24-bit (or 32-bit) file, if that's what you say you wanted. So it is not true 24-bit recording. Apparently. Audacity doesn't mention this, it just does it.

I don't have the link now, but I saw a posting on this issue by another guy with AA (this was before 5.5- I only have Cool Edit = AA 1.0 BTW), saying he compared 24-bit and 16-bit recording with his 24-bit interface, when he looked at it closely, the 24-bit recording was actually just a 16-bit recording, blown up (forgot the technical term) to 24-bit, and twice as large as the 16 bit.

While my recording environment is somewhat quiet, there is still a noise floor, and the 144 dB versus 96 dB dynamic range advantage of 24-bit over 16-bit is a consideration. Just want to make sure I get the track recorded in 24-bit if possible, then it can be exported to another application or whatever if necessary.


Last edited by D Voice on Thu Apr 19, 2012 1:29 am; edited 1 time in total
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D Voice
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Joined: 26 Jun 2010
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PostPosted: Thu Apr 19, 2012 12:48 am    Post subject: an anaolgy Reply with quote

e.g. the earliest silent films were usually filmed in 16fps (some at 18, etc.). So when they wanted to show them on later projectors (later standardized at 24fps), they would double every other frame. Obviously, that approximates and might be good enough for the casual eye, but is not exactly the same as filming something at 24fps in the first place.
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Frank F
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PostPosted: Thu Apr 19, 2012 1:10 am    Post subject: Reply with quote

OK, here is the deal, I forgot to mention this in the previous post. Audition will only record in 16 bit when using the WDM or MME drivers.

Switching to ASIO drivers will allow you to record in 24 bit mode.

I do not recall if the MHobo Tounge has ASIO drivers or not, but if not you might be able to download and install ASIO4ALL. Select the ASIO driver in AA and choose 24 bit and you will be OK to go.

Caveat: you will need to set latency as low as you are able, this may take a few tries to get it to work properly. Too fast and you will hear a choppy sound, too slow and you will hear break-ups within your audio. I suggest you start around 10 or 12 ms and work down.

Recording in Multitrack mode will still result in a 32 bit FP file. So start with the Edit view in 24 bit, then if needed use the multitrack view to mix, mixdown to file, convert to 24 bit prior to saving.

Frank F
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D Voice
Been Here Awhile


Joined: 26 Jun 2010
Posts: 232

PostPosted: Thu Apr 19, 2012 1:36 am    Post subject: ASIO Reply with quote

Frank F wrote:
OK, here is the deal, I forgot to mention this in the previous post. Audition will only record in 16 bit when using the WDM or MME drivers.

Switching to ASIO drivers will allow you to record in 24 bit mode.

Frank F


OK, that starts to make sense.

So without ASIO drivers, it is impossible to record in 24-bit mode in Windows?

In other words is this a problem of the drivers in Windows, no matter what the software one is using? There is no way around this except using ASIO drivers?
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Frank F
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PostPosted: Thu Apr 19, 2012 2:14 am    Post subject: Reply with quote

Quote:
D Voice writes: "...In other words is this a problem of the drivers in Windows, no matter what the software one is using? There is no way around this except using ASIO drivers?"


No, not in Windows specifically, in AA. And, no, ASIO is the only way around the problem.

The CEntracnce product ASIO driver does not work with ProTools in Windows or on Mac's. Other editing programs may also require ASIO for 24 bit recording.

When Adobe bought Cool Edit from Syntrillium they disabled the ability to use the WDM and MME drivers in anything other than 16 bit mode. Many other programs use ASIO to drive 24 bit recording as it is more stable and allows for better control of the audio latency.

Microsoft has since made the MME/WDM drivers only 16 bit.

The Universal Drivers for MHobo Tounge do include ASIO, however there are some Windows 7 setup tricks for the MHobo Tounge to work with ASIO. See here: http://www.centrance.com/forum/viewtopic.php?f=15&t=204#p1101

You did not mention which version of Windows you have so I made an assumption.

YouTube has a couple of videos which might help if you cannot get the device to work in AA, but still consider using ASIO4ALL. See this: www.youtube.com/watch?v=Fl1FNcvLw5Y

Frank F
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D Voice
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Joined: 26 Jun 2010
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PostPosted: Thu Apr 19, 2012 4:23 am    Post subject: Reply with quote

Frank F wrote:


No, not in Windows specifically, in AA. And, no, ASIO is the only way around the problem.

Other editing programs may also require ASIO for 24 bit recording.

Microsoft has since made the MME/WDM drivers only 16 bit.

Frank F


Thanks Frank.

I am using XP Pro. Mostly older machines, although my netbook travel setup is Windows 7.

Guess I have some homework to do regarding ASIO. Don't know that much about it- am assuming that there is no problem installing it, etc. I suppose it would help to see if USB 2.0 can be installed in any of these machines as well, as I assume that might also help.

Apparently Audacity does not support ASIO drivers due to a licensing issue.

And again, if anyone knows for sure of another program that can record USB in 24-bit, I would appreciate it.
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Ed Gambill
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PostPosted: Thu Apr 19, 2012 6:42 am    Post subject: Reply with quote

First off Frank you are a pure fountain of knowledge. You amaze me, you do your home work and you don’t ask a dime for the knowledge you share. You pay it forward.

Now to this point

I taught production sound for motion picture and video and did a training tape that was bought by many colleges. I use to record in the field at 16bit 48K that has been the norm for the film industry.

A survey done by AES the Audio Engineering Society had folk listen to and compair audio samples recorded at and delivered at rates higher than 16bit/44.1K. The results are the 16.44.1 was pleasing to the vast majority.

That why I record my program that airs on an NPR station at 16/44.1. Focus on the other things that are causing you a noise problem.

XP may be a old platform but many including myself find it to be solid.
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heyguido
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PostPosted: Thu Apr 19, 2012 7:25 am    Post subject: Reply with quote

Damn, Frank.... Every once in a while, we get a peek inside that head of yours....

Wow. Nicely done.
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Frank F
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PostPosted: Thu Apr 19, 2012 12:26 pm    Post subject: Reply with quote

D Voice: Go to CEntrance's website and download the "Universal Driver" for the MHobo Tounge. Install (make sure you know where you installed the drivers) and use the interface to setup the ASIO parameters. Once the setup is complete... you should be off and recording in 24 bit.

I still use XP also.

Ed, Don, thank you. Hope I do not scare people with what is in my head. I do know I piss off a lot of people around here.

Frank F
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heyguido
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Joined: 31 Aug 2011
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PostPosted: Thu Apr 19, 2012 1:23 pm    Post subject: Reply with quote

I ain't skeered.... I'm glad you're here.

Most people assume that 24bit has a lower noise floor. Not true. It DOES tend to allow a little more headroom, (which is helpful for those who "set and forget" or tend to overdrive, but noise floor is strictly a function of your audio chain.

Want to lower your noise floor? Cables, connectors, and sources of electrical interference are the most likely culprits. Occasionally, a piece of gear will fail, but check the chain first.

And Frank.... Keep it up, professor.
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Don Brookshire
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Ed Gambill
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PostPosted: Thu Apr 19, 2012 1:24 pm    Post subject: Reply with quote

Like they say "better to be pisses off than pisses on"
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