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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Wed Jan 30, 2013 8:58 am Post subject: |
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Quote: | JK writes: "...you shouldn't even take that gig, because somewhere, someone is getting $20 million to star in a movie." |
Yeah, but I also did my part in less than a day and didn't have to wear makeup. There are some trade-offs.
Frank F _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com |
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Jeffrey Kafer Assistant Zookeeper

Joined: 09 Dec 2006 Posts: 4931 Location: Location, Location!
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Posted: Wed Jan 30, 2013 9:26 am Post subject: |
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But I think you understand my point. You consider the gigs that come your way and the ones you can hustle. You don't turn down work simply because someone else is getting paid better for a different job. _________________ Jeff
http://JeffreyKafer.com
Voice-overload Web comic: http://voice-overload.com |
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melissa eX MMD

Joined: 20 Oct 2007 Posts: 2794 Location: Lower Manhattan, New Amsterdam, the original NYC
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Posted: Fri Feb 01, 2013 5:44 pm Post subject: |
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Quote: | One hundred eighty five (dollars) divided by five hours (recoding and editing) equals $37.00 per hour. And that is if you are fast at editing. |
No editing. That's no real editing. It's a punch and roll record. At least on the union contracts narrators don't want to with the editing. Not worth it. So it ends up being more a 2-1 or 3-1 depending.
And yes, the time commitment. That's what I said when I turned it down. I wouldn't be able to do 15 hours and keep up with my other work. I can comfortably do 2 - 10hour books a month. No more. |
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cyclometh King's Row

Joined: 06 Aug 2010 Posts: 1051 Location: Olympia, WA
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Posted: Fri Feb 01, 2013 6:18 pm Post subject: |
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I don't see any scenario in which I'd do the 13-week contract. Three hours of finished audio every day would be murderous. _________________ Corey "Vox Man" Snow
http://voxman.net |
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