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VO-BB - 20 YEARS OLD! Established November 10, 2004
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Lee Gordon A Zillion

Joined: 25 Jul 2008 Posts: 6864 Location: West Hartford, CT
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Posted: Sun Sep 22, 2013 1:37 am Post subject: |
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When I was a senior in high school, a fellow student (Curt Hansen, who later went on to be a successful radio & consultant) was taking a survey, asking kids if we'd like to have a student-run radio station. I said "sign me up."
After high school radio came college radio.
1969 - Junior year in college, I got my first paying radio DJ job at WHEB in Portsmouth, NH.
1970 - Better paying job at cross-town rival station WBBX.
1971 - Returned to WHEB as part-time newscaster. Also got weekend job at hometown station WFEA in Manchester, NH.
1972-74 - Full time afternoon drive DJ at WFEA.
1974-75 - Midday, then PM drive DJ at WPOP in Hartford, CT. Started freelance VO career with spots for a couple of station clients and for friend who owned Brentco, a Hartford ad agency.
1976-78 - Copywriter, then Creative Director at Brentco.
1978-97 - Returned to WPOP (&FM sister station) as Production Director and continued to do freelance VO on the side. In 1986, one of those freelance gigs led to part-time job as station announcer for WFSB-TV, Channel 3, the Hartford CBS affiliate (still have that gig).
1997-present - in anticipation or being downsized out of radio Production Director job, made plans to transition to full time VO. Been doing it ever since. _________________ Lee Gordon, O.A.V.
Voice President of the United States
www.leegordonproductions.com
Twitter: @LeeGordonVoice
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Kristin Lennox Flight Attendant

Joined: 30 Apr 2011 Posts: 858
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Posted: Sun Sep 22, 2013 8:24 am Post subject: |
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BA in Theatre ---> stage ---> on-camera ---> VO.
But I still do stage -- I have two performances of Father of the Bride today alone.
VO pays the bills, but theater feeds my soul. _________________ Always look on the bright side of life.
Dee doo. Dee doot doot doo dee doo.
my website |
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Tracy Kinkead

Joined: 17 Nov 2012 Posts: 13 Location: Muscle Shoals, AL
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Posted: Sun Sep 22, 2013 8:44 am Post subject: |
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It seems many of us have radio in common. Which is a bit of a surprise considering the somewhat "anti-radio" and yes even condescending attitude I encountered from some established VO's when I started dabbling. Maybe it was just by chance that I ran into a few voice artists with that attitude when I got started, but it really did feel like an "Established VO vs Radio Interloper" vibe.
I don't have a blog post...so here goes...
Anyway, long time radio vet. College radio in '85 with my first paying gig in '87 at a couple small stations in mid Missouri. Since then up until around February '12, radio has been my bread and butter. But as you radio vets know there's not a lot of "bread" in radio. At first, as a young single guy the low pay wasn't that big of an issue. But when you add a wife (then ex's) and children, it became an issue.
I've pretty much always had side job for extra money. Many years working a few hours a week in my father's business. The about 12 years ago I found myself in a somewhat unique position of working for two radio stations...not the same company. I commute 37 miles to the station I'm program director, and where I live is a small home town type station. I worked several years doing mornings there and driving to my main gig in Muscle Shoals, AL.
Well that ended in December of '11 when the home town station was sold. I thought, "Okay, what now? Deliver pizzas on the side?" I had a radio friend who got a couple of jobs at a P2P site. I began researching and then dabbling in February '12. Within 5 months I had made more with VO than I ever had in a year with my part-time job.
I started VO to try and make a little extra money each month, but now consider it my "second career" along side my radio job. And honestly I feel like VO has "saved" my radio career. Anyone familiar with the changes in the radio industry over the past 25 years knows what I mean. _________________ Tracy Kinkead
www.renegadevoice.com |
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Monk King's Row

Joined: 16 Dec 2008 Posts: 1152 Location: Nestled in the Taconic Hills
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Posted: Sun Sep 22, 2013 10:21 am Post subject: |
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Let's see.
In High School while working at the local supermarket, they asked me to record the announcements for in store specials.
After a 6 year stint in the USAF, I went to Northeast Broadcasting and landed my first radio gig. Met Cathy, moved to another radio gig. Went back to school for a degree in Computer Graphics and animation, did VO for several films and animation. (I'm the voice of the Borg in Star Trek:The Experience)
Started doing commercial work with some local studios. Got an agent who insists on putting me on-camera several times a year. I do a lot of theater, going from show to show to show..
Built my own studio, in there a lot doing everything from eLearning to recording robo-call political stuff.
Tah Dah! _________________ Company, villainous company, hath been the spoil of me...
www.monksvoice.com |
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Bob Bergen CM
Joined: 22 Apr 2008 Posts: 981
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Posted: Sun Sep 22, 2013 10:43 am Post subject: |
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Tracy Kinkead wrote: | It seems many of us have radio in common. Which is a bit of a surprise considering the somewhat "anti-radio" and yes even condescending attitude I encountered from some established VO's when I started dabbling. Maybe it was just by chance that I ran into a few voice artists with that attitude when I got started, but it really did feel like an "Established VO vs Radio Interloper" vibe. |
Some of the top vo actors in the business come from radio. From Beau Weaver to Randy Thomas. What these top people have in common is, they are also exceptional actors. Most vo buyers are not anti radio. They are anti the radio delivery that conflicts with the more natural, conversational style of the majority of vo today. And if I'm going to be honest, the majority of the voice people I run across who come from radio have a hard time adjusting out of old habits and delivery styles. This is understandable. Just like a Shakespearean actor who is classically trained and has only done the classics onstage would probably have a hard time adapting to a role on an American sitcom.
But we all get stigmatized. When I was the promo voice of Disney Channel, my producers awkwardly asked me early on if I was comfortable doing character voices. They had no idea I did cartoons. That's because I'm very strategic in my marketing. Promo buyers know me as a promo voice actor. Animation only know animation. Etc. But I have the demo that reflects each genre I do and I never cross pollinate the marketing. That just confuses the buyer. Each buyer of each genre want to know/think you live for them.
If I'm looking to hire a rock singer, I'm not going to be drawn to the singer with an opera background.
You need to check your ego at the door and put on your business hat. In 30 plus years in this business, I can't get a theatrical agent. I am constantly asked if I wanted to do any real acting, meaning on camera acting. My ego is bruised. But the realist in me, the businessman in me, understands and appreciates that on camera buyers are not going to be impressed with 30 years voicing commercials, cartoons, and promos. They want on camera actors with current on camera experience. I have every opportunity to chuck vo and dive into on camera if I wanted to. I had a thriving on camera career in my late teens/early 20s. I did every cliche sitcom in the 80s. But that got in the way of my vo career. VO was my passion. So, I made a choice.
But here's the good news. Over the past decade or more, with vo growing and growing, today's newer generation of radio people are also pursuing vo simultaneously rather than trying to break into vo after a thriving radio career. They are diving into acting, improv, and vo classes. They are, from the get go, training and conditioning their ability to switch gears from the radio delivery to a conversational commercial delivery. Why? Because they know, understand, and appreciate what's demanded of their talents in today's vo market. This is a new strategy. But the smart performer embraces change, as well as the advice and necessity to do whatever it takes to move forward in their career.
Don't be offended if someone questions or challenges you based on your past experience. Prove them wrong. If your background statistically won't drive your career, you have the ability to adjust what buyers know of your training and experience. If you have a radio background, ya better have a killer commercial demo and read that competes with and reflects the top commercial vo actors of today. You have to go the extra mile. And then a bit further. Most don't. Most spend more time on excuses and complaining than going the extra mile. Wasted energy.
I know I went off topic here. But I think if you really want success, you need to step outside yourself. See yourself from the perspective of the agent, producer, casting director, network exec, studio head. Get into their head(s) and understand their needs. Adjust and embrace. And again, check your ego at the door. No one cares if you are offended. They just want you to be able to offer what they need. |
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Scott Pollak The Gates of Troy

Joined: 01 Jun 2010 Posts: 1903 Location: Looking out at the San Juan mountains
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Posted: Sun Sep 22, 2013 2:00 pm Post subject: |
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Bob Bergen wrote: | What these top people have in common is, they are also exceptional actors. Most vo buyers are not anti radio. They are anti the radio delivery that conflicts with the more natural, conversational style of the majority of vo today. |
Bingo!!! _________________ Scott R. Pollak
Clients include Pandora, NPR Atlanta, Wells Fargo, Cisco, Humana, Publix, UPS, AT&T, HP, Xerox and more.
www.voicebyscott.com |
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Lee Gordon A Zillion

Joined: 25 Jul 2008 Posts: 6864 Location: West Hartford, CT
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Posted: Sun Sep 22, 2013 3:09 pm Post subject: |
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Regarding the perceived anti-radio bias, we have to keep in mind there are a couple of different strata of former (or present) radio people: there are the people who have never talked into a microphone at a radio station other than to be "boss jocks," the guys and gals who spin the "Platters that Matter," the "Stacks of Wax for the Jills & Jacks," as well as the news readers who are charged with presenting "just the facts" with as little personality as possible. In either case, if they did any commercials at all, the were limited to straight reads in the same style as they performed their primary on-air functions. These are the people the "no-radio" buyers are seeking to avoid.
The other group of radio vets -- the one most of us here fall into -- are the ones who were involved in production. We were the ones who produced, and perhaps even wrote, and definitely voiced, the "good" commercials, those that exhibited some creativity. In the process, we had the opportunity to hone our acting and timing skills and prepare for our future lives as voiceoverists. _________________ Lee Gordon, O.A.V.
Voice President of the United States
www.leegordonproductions.com
Twitter: @LeeGordonVoice
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vkuehn DC

Joined: 24 Apr 2013 Posts: 688 Location: Vernon now calls Wisconsin home
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Posted: Sun Sep 22, 2013 3:22 pm Post subject: |
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I did my radio days long, long ago. Then I did "the Moses" thing and wandered in the wilderness for 40 years doing whatever it took to not move my family around like I did in the radio days.
So when I began reading and hearing the "anti radio bias" message from the V-O world, I got the idea that not only was there bias against the old timers who did dry-reads during station breaks between network feeds... but I read loud-and-clear there is also significant bias against more modern-day radio-production style delivery.
I don't doubt some of you are making a good living at V-O by delivering to radio stations the kind of production-voice material you did when you populated the studio. I'm going to guess this works well when your client is a local radio station and they want you to da what someone would still be doing right in their studio if they could afford someone full-time in the new "radio economy".
I'm not far enough into my V-O career to deliver a speech on the subject but I have done a pretty thorough research and the chatter is: Ditch the "radio voice" if you are going to do national advertising; ditch the radio voice if you are going to do long-form stuff like e-learning, book narration, etc.
I guess we each find our niche. At my age, I walked right on past the door marked "v-o for the radio industry" and began knocking on the doors of the folks who purchase long form. If we have this discussion again a year from now, maybe I will deliver a speech for that event.  |
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Jeffrey Kafer Assistant Zookeeper

Joined: 09 Dec 2006 Posts: 4931 Location: Location, Location!
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Posted: Sun Sep 22, 2013 3:53 pm Post subject: |
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I'll throw out another perspective from someone who has NO radio experience. I see a lot of radio people who think that it's natural progression to go from radio to VO. Why? Because both professions use microphones?
If that's it, then we should extend the courtesy to bingo callers and auction barkers. _________________ Jeff
http://JeffreyKafer.com
Voice-overload Web comic: http://voice-overload.com |
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Lee Gordon A Zillion

Joined: 25 Jul 2008 Posts: 6864 Location: West Hartford, CT
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Posted: Sun Sep 22, 2013 4:04 pm Post subject: |
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JeffreyKafer wrote: | we should extend the courtesy to bingo callers and auction barkers. |
You left out the guy making the announcements at the bus terminal.  _________________ Lee Gordon, O.A.V.
Voice President of the United States
www.leegordonproductions.com
Twitter: @LeeGordonVoice
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Jason Huggins The Gates of Troy

Joined: 12 Aug 2011 Posts: 1846 Location: In the souls of a million jeans
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Posted: Sun Sep 22, 2013 5:10 pm Post subject: |
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A lot of those guys are us now though. "Now approaching Washington Street...Washington Street is next." |
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Scott Pollak The Gates of Troy

Joined: 01 Jun 2010 Posts: 1903 Location: Looking out at the San Juan mountains
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Posted: Sun Sep 22, 2013 6:50 pm Post subject: |
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Lee Gordon wrote: | The other group of radio vets -- the one most of us here fall into -- are the ones who were involved in production. We were the ones who produced, and perhaps even wrote, and definitely voiced, the "good" commercials, those that exhibited some creativity. In the process, we had the opportunity to hone our acting and timing skills and prepare for our future lives as voiceoverists. |
Outstanding observation, Lee, and I agree. Good point. _________________ Scott R. Pollak
Clients include Pandora, NPR Atlanta, Wells Fargo, Cisco, Humana, Publix, UPS, AT&T, HP, Xerox and more.
www.voicebyscott.com |
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Mike Harrison M&M

Joined: 03 Nov 2007 Posts: 2029 Location: Equidistant from New York City and Philadelphia, along the NJ Shore
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Posted: Sun Sep 22, 2013 9:04 pm Post subject: |
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JeffreyKafer wrote: | I see a lot of radio people who think that it's natural progression to go from radio to VO. Why? Because both professions use microphones? |
I've made the same observation... and singers and freelance party DJs, too. It does seem they conclude if a microphone is used, it must be voice-over.
There is (or was) at least one website calling itself voice-over something or other that had among its ranks more than several singers and party DJs. When invited to join, I politely declined and explained (or attempted to) as diplomatically as possible the difference between simply speaking into a microphone and knowing how to properly interpret copy and act. Based on what I've heard, most local radio air talent not involved in production (as Lee pointed out) just spit out the often poorly-written words from the script or liner card. But none of us were amazingly brilliant without prior experience and learning by listening to those more accomplished.
Just as there is a distinct difference between hearing and listening, such is the case between talking and communicating. _________________ Mike
Male Voice Over Talent
I have taken leave of my sensors.
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Jason Huggins The Gates of Troy

Joined: 12 Aug 2011 Posts: 1846 Location: In the souls of a million jeans
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Posted: Sun Sep 22, 2013 10:15 pm Post subject: |
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I guess I forgot to add that I was a performing musician for about 10 years before trying VO. The vocal training and experience behind a mic really did give me a leg up when I started training for VO. I'd say singers (at least trained singers) have some basics that someone without vocal training doesn't have.
Radio also seems to have a lot of transferable skills, though. I don't think I would say that radio prepares someone to be an voice 'actor' per se, but there is quite a bit to a VO business that has nothing to do with acting chops. |
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Philip Banks Je Ne Sais Quoi

Joined: 20 Jun 2005 Posts: 11075 Location: Portgordon, Scotland
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Posted: Mon Sep 23, 2013 1:02 am Post subject: |
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Helps if you can bore people witless on the subject of how your experience somehow qualifies you yet excludes others.
I was giving an after dinner speech several years ago and during the Q&As
"Philip, what qualifications do you need to be a Voice Over?" asked the assistant head of something for a Bank.
"Minimum entry level double first in Law and Economics from Merton College, Oxford"
The truth is - Have the reading ability of the average 8 year old girl with the vibrant wonder and imagination of a 5 year old boy. Combine those two things and the earth will be yours and everything in it. Everyone else will simply sound either affected or medicated. |
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