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Jason Huggins The Gates of Troy

Joined: 12 Aug 2011 Posts: 1846 Location: In the souls of a million jeans
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Posted: Thu Mar 20, 2014 8:47 pm Post subject: What DAW do you use for audiobook editing/mastering? |
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Ok...let me start out by saying I really don't care WHY anyone uses any particular DAW. I was asked to put some content together and am comparing DAWs for the purpose of editing/mastering audiobooks. I'm just curious what you use (if you are in fact editing and mastering audiobooks and long form stuff).
Let me repeat. This is not a debate...I don't care which one is "best," and I don't need to know why you use it.  |
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Bruce Boardmeister

Joined: 06 Jun 2005 Posts: 7977 Location: Portland, OR
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Posted: Fri Mar 21, 2014 7:09 am Post subject: |
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I use MOTU's Audio Desk to record and edit, mostly because it came for free with the first MOTU interface I bought over a decade ago. I'm used to it. It's flexible and treats me kindly.
However it doesn't have quite the features I thought I needed to master audiobooks. I paid for and watched George's lesson on how to master using Twisted Wave, bought the software, and have been using it, following his directions closely, and Audible's been happy with every book I've submitted.
B _________________ VO-BB Member #31 Enlisted June, 2005
I'm not a Zoo, but over the years I've played one on radio/TV. . |
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vkuehn DC

Joined: 24 Apr 2013 Posts: 688 Location: Vernon now calls Wisconsin home
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Posted: Fri Mar 21, 2014 9:03 am Post subject: |
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Adobe Audition.
Currently using the Creative Cloud (Version 6?). Has a new feature or two I like, but I am really more comfortable with interface of 2.0 or 3.0. (I just threw that in for free, even though I know you didn't want to know.) |
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Frank F Fat, Old, and Sassy

Joined: 10 Nov 2004 Posts: 4421 Location: Park City, Utah
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Posted: Fri Mar 21, 2014 10:09 am Post subject: |
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Adobe Audition 3.1. No cloud, no crap.
The real truth is the DAW you use for editing is the one you are most familiar with and are comfortable using. Why someone uses a particular DAW is of no consequence. Why you use the DAW you like is...
Frank F _________________ Be thankful for the bad things in life. They opened your eyes to the good things you weren't paying attention to before. email: thevoice@usa.com |
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bobsouer Frequent Flyer

Joined: 15 Jul 2006 Posts: 9883 Location: Pittsburgh, PA
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Posted: Fri Mar 21, 2014 11:11 am Post subject: |
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I record in Pro Tools 9 and edit in Sound Forge 10. _________________ Be well,
Bob Souer (just think of lemons)
The second nicest guy in voiceover.
+1-724-613-2749
Source Connect, phone patch, pony express |
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Jason Huggins The Gates of Troy

Joined: 12 Aug 2011 Posts: 1846 Location: In the souls of a million jeans
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Posted: Fri Mar 21, 2014 11:23 am Post subject: |
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I'm seeing a trend (not just here) that most audiobook peeps edit/master in either Adobe Audition or Soundforge. I read that most editors at ACX use SF. |
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georgethetech The Gates of Troy

Joined: 18 Mar 2007 Posts: 1878 Location: Topanga, CA
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Posted: Fri Mar 21, 2014 9:22 pm Post subject: |
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Thanks for the plug, Bruce! I used TwistedWave for every book I've worked on in post. Editing is VERY fast, Mastering even faster. Don't over think the mastering, they (Audible/ACX) aren't actually that picky. Pro Tools 11 could be equally as efficient with proficiency, thanks to offline bounce. Audition works great, too. Audacity "mastering" tools are too clunky, slow workflow. Roll n Punch with Reaper is awesome (no headphones required), but I've never edited with it. _________________ If it sounds good, it is good.
George Whittam
GeorgeThe.Tech
424-226-8528
VOBS.TV Co-host
TheProAudioSuite.com Co-host
TriBooth.com Co-founder |
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Jason Huggins The Gates of Troy

Joined: 12 Aug 2011 Posts: 1846 Location: In the souls of a million jeans
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Posted: Sat Mar 22, 2014 5:32 am Post subject: |
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Can you analyze noise floor and total RMS in TW? |
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bobsouer Frequent Flyer

Joined: 15 Jul 2006 Posts: 9883 Location: Pittsburgh, PA
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Posted: Sat Mar 22, 2014 8:39 am Post subject: |
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Jason Huggins wrote: | I read that most editors at ACX use SF. |
Jason,
Sound Forge is the program all of the editors at Audible use. The entire company has standardized on it. At least so they told us at a seminar they held the day after APAC last year. _________________ Be well,
Bob Souer (just think of lemons)
The second nicest guy in voiceover.
+1-724-613-2749
Source Connect, phone patch, pony express |
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Andy Contributor

Joined: 12 Mar 2012 Posts: 41 Location: Washington DC
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Posted: Sat Mar 22, 2014 11:44 am Post subject: |
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Twisted Wave. OUTSTANDING service from the developer and it's only $80. The a s that go with allow me to edit my books when I am out and about through my iPhone. Perfect for audiobook recording...and as George says editing is a breeze. Ditto for me with Audible/ACX--never an issue with my books. _________________ It can't happen if you don't at least try. |
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georgethetech The Gates of Troy

Joined: 18 Mar 2007 Posts: 1878 Location: Topanga, CA
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Posted: Sat Mar 22, 2014 3:14 pm Post subject: |
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TwistedWave is like SoundForge for the Mac before there was a SF for Mac, and it's better than SF for Mac... Yes you can measure noise floor, RMS, peak, all that stuff. No, you can't multitrack, punch n roll, or do spectral display of waves. _________________ If it sounds good, it is good.
George Whittam
GeorgeThe.Tech
424-226-8528
VOBS.TV Co-host
TheProAudioSuite.com Co-host
TriBooth.com Co-founder |
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Donna King's Row

Joined: 08 Feb 2008 Posts: 1118 Location: The studio or the barn.
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Posted: Sat Mar 22, 2014 5:41 pm Post subject: |
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SoundForge here as well. _________________ Dangerous.
Donna Postel
donnapostel.com
donna@donnapostel.com |
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Scott Pollak The Gates of Troy

Joined: 01 Jun 2010 Posts: 1903 Location: Looking out at the San Juan mountains
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Posted: Sat Mar 22, 2014 6:06 pm Post subject: |
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Audition CS 5.5, no cloud.
And like George said, they're not that picky. I mainly apply light noise reduction, hard limit to -6db and make sure the 'mandatory' half-second leader space, 1.5 seconds after chapter title, and 3.5 seconds are at the end.
And I get rid of pops and clicks. Never had one bounced back to me.
DAWs are like computers. My lovely and quite bright wife once said:
"Which computer is best? The one that works best for YOU."
I'm betting most of us just use what we pretty much cut our teeth on, at least in the digital editing realm. _________________ Scott R. Pollak
Clients include Pandora, NPR Atlanta, Wells Fargo, Cisco, Humana, Publix, UPS, AT&T, HP, Xerox and more.
www.voicebyscott.com |
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whalewtchr Cinquecento

Joined: 18 Feb 2010 Posts: 582 Location: Savannah, GA
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Posted: Sat Mar 22, 2014 8:27 pm Post subject: |
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Record PT 10.3.8, edit on Audition CS6, back to PT for master and here's a curveball, mp3 conversion with iTunes because Audible requested it. _________________ jonahcummings |
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JBarrett M&M

Joined: 19 Feb 2007 Posts: 2043 Location: Las Vegas, NV
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Posted: Mon Mar 24, 2014 7:10 am Post subject: |
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I use Reaper for everything, including the few books I've recorded.
soundgun wrote: | Roll n Punch with Reaper is awesome (no headphones required), but I've never edited with it. |
I tried to get a punch-n-roll workflow set up in Reaper, but don't quite feel like it's really working that smoothly, and I still have to wear headphones. Any chance you could share some tips? _________________ Justin S. Barrett
http://www.justinsbarrett.com/ |
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