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Home Studio Microphone for under $150?
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Monk
King's Row


Joined: 16 Dec 2008
Posts: 1152
Location: Nestled in the Taconic Hills

PostPosted: Sun Feb 03, 2013 8:27 am    Post subject: Reply with quote

I can't resist a good microphone conversation!

Mic's are like icecream, everyone has a flavor. What sounds ok on a woman's voice may not sound right on a bass/baritone.

I have a decent mic locker and have moved up the ranks with several stops along the way.

I still keep my RE-20 for travel work, My Mike Joly modded RodeNT1a is in one of the vocal booths I use and I love how it sounds on my voice. My studio was built around my Neumann u87i and is truly wonderful.

For the money I would check out oktavamod.com I don't work for the guy, but I'm a true fan of his work and his ability to take a crap Chinese microphone and make it rock.

Once you get hooked on microphones, it's a tough habit to kick. And don't get me started on headphones!

BUT as you move up to better and better microphones, your room should be ready for it. A Shure SM7b is a LOT more forgiving of the environment it's in. A good condenser will start hearing the refrigerator, fish tank and the cat's stomach gurgling.

So go slow and improve your gear as you improve your game.
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sb4vox



Joined: 17 Nov 2012
Posts: 18
Location: Mid Atlantic

PostPosted: Sun Feb 03, 2013 7:58 pm    Post subject: Reply with quote

[quote="Scott Pollak"] "Personally, I'm LOVING the ever-so-subtle improvement in warmth from the CAD. At the moment it's going to be my go-to mic. "

------------------------------------------------------------

I'm with Scott on this . After trying many mics over the last 2 years, both LDCs and dynamics, I have settled on the RE20 for audiobooks and other longer reads, and the CAD E100s I recently purchased for everything else. The CAD is amazing! Quiet, warm, robust ... (Just MY preferences for MY voice, mind you ... ).

I am curious as to preamps of choice, particularly those of you using the RE20 and/or E100s? I recently got a deal I couldn't refuse on a UA710, and I love this preamp! In my estimation it is near perfect for these mics and my voice. (I had been using a Symetrix sx202 and the dbx286s, both perfectly acceptable, both will remain in the arsenal).

I finally have the "no excuses" set up I've been striving for. (Future GAS attacks notwithstanding, these three pieces are definitely keepers for me).

Forgive me if I've further threadjacked the original post, but it seemed the obvious pace to pose the preamp question.

Steve
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georgethetech
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Joined: 18 Mar 2007
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Location: Topanga, CA

PostPosted: Sun Feb 03, 2013 10:16 pm    Post subject: Reply with quote

Just thought I'd chime in here. Nothing really to add, though. Just didn't want to be left out of the conversation.
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sb4vox



Joined: 17 Nov 2012
Posts: 18
Location: Mid Atlantic

PostPosted: Mon Feb 04, 2013 7:00 am    Post subject: Reply with quote

soundgun wrote:
Just thought I'd chime in here. Nothing really to add, though. Just didn't want to be left out of the conversation.


George, your input is always appreciated, and any thoughts you have on this are most welcome!

Steve
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mediaking
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Joined: 20 Aug 2005
Posts: 33
Location: Earth...this week

PostPosted: Wed Mar 06, 2013 12:21 pm    Post subject: Mic Reply with quote

I vote for the re20. Its the one I've always wanted, and it sounds great to me.
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Tom Test
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Joined: 23 Jan 2007
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Location: Chicago, IL

PostPosted: Wed Mar 06, 2013 3:02 pm    Post subject: Reply with quote

By the way, I just posted a 6 microphone, 2 preamp shootout in the Gear forum. It includes 2 mics around the $150 mark - the AT2050 and the AKG 200 (now replaced by the -220), and the CAD e100s mentioned here that I purchased for $325 from B&H. Take a look and chime in if you wish!
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Lee Gordon
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Joined: 25 Jul 2008
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Location: West Hartford, CT

PostPosted: Thu Mar 07, 2013 8:34 am    Post subject: Reply with quote

While on vacation last week I did a couple of jobs from my hotel room using my new, $100 MXL V67N. I had no complaints from the clients, and listening to some of the recordings back home, the voice quality was remarkably good although I think my pillow fort could have used one or two more pillows.
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Last edited by Lee Gordon on Thu Mar 07, 2013 12:35 pm; edited 1 time in total
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Bish
3.5 kHz


Joined: 22 Nov 2009
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Location: Lost in the cultural wasteland of Long Island

PostPosted: Thu Mar 07, 2013 9:10 am    Post subject: Reply with quote

Those aren't pillows!

$162 is close to the target price... MXL V88 at Amazon. Love this mic. It's mythical list price is a hefty $700, but sub-$200, it's a winner (IMHO).
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Bruce
Boardmeister


Joined: 06 Jun 2005
Posts: 7977
Location: Portland, OR

PostPosted: Thu Mar 07, 2013 5:45 pm    Post subject: Reply with quote

Bish wrote:
Those aren't pillows!


Ah, a Planes, Trains, and Automobiles fan! A great flick.


B
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bobsouer
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Joined: 15 Jul 2006
Posts: 9883
Location: Pittsburgh, PA

PostPosted: Thu Mar 07, 2013 10:25 pm    Post subject: Reply with quote

Bruce wrote:
a Planes, Trains, and Automobiles fan! A great flick.

One of my favorites, too!
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captain54
Lucky 700


Joined: 30 Jan 2006
Posts: 744
Location: chicago

PostPosted: Thu Mar 07, 2013 11:28 pm    Post subject: Reply with quote

Bish wrote:


MXL V88 at Amazon. Love this mic.


I agree.. great broadcast mic...many happy clients.. only bummer is you it's not a convenient travel mic despite its compact size
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Tom Test
DC


Joined: 23 Jan 2007
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Location: Chicago, IL

PostPosted: Fri Mar 08, 2013 10:00 am    Post subject: Reply with quote

captain54 wrote:
Bish wrote:


MXL V88 at Amazon. Love this mic.


.. only bummer is you it's not a convenient travel mic despite its compact size


Exactly! That's what I bought it for originally, thinking that it was "close enough" of a match to my Gefell M930 (both the V88 and the M930 have been compared to the TLM-103) for use while traveling. I liked it A LOT.

But despite the fact that the mic itself is tiny, it comes in a big honking aluminum case that is just too big for air travel - for me at least, when I travel with my petite wife and 8 yr old daughter and have my hands full as it is. So I sold it on eBay.

Now I'm thinking of buying another and seeing if I can make a smaller case for it, maybe even see if it fits a smaller shock mount too. (I don't like my AT2050 travel mic, but it is *extremely* portable).
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captain54
Lucky 700


Joined: 30 Jan 2006
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Location: chicago

PostPosted: Fri Mar 08, 2013 10:15 am    Post subject: Reply with quote

Tom Test wrote:


Now I'm thinking of buying another and seeing if I can make a smaller case for it, maybe even see if it fits a smaller shock mount too. (I don't like my AT2050 travel mic, but it is *extremely* portable).


I posed the question to MXL and they said there is no way to attach a simple hard mount. I asked if there was a smaller shock mount available and they had no frikkin clue. I'm fearful of using that mic without a pop filter, so now u are traveling with a pop filter and shock mount. Defeats the portability
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Leslie Humble
Contributor IV


Joined: 03 Jan 2012
Posts: 145
Location: Cape Coral Fl

PostPosted: Fri Mar 08, 2013 12:01 pm    Post subject: Reply with quote

I had a HORRIBLE Nightmare last night!

I dreamed I was eating a Giant Marshmellow.

And I woke up and my Pillow was gone!


Oh sorry ...I thought for a minute this was the thread for Pillow jokes.
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Lee Gordon
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Joined: 25 Jul 2008
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PostPosted: Fri Mar 08, 2013 1:56 pm    Post subject: Reply with quote

I think there may be a potential business opportunity here: manufacturing smaller cases to make "travel mics" more suitable for travel.
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